Showing posts with label regulations. Show all posts
Showing posts with label regulations. Show all posts

Monday, May 27, 2019

My personal submission re Notice in Canada Gazette, Part I, Vol 153, No 17, April 27, 2019 re: Regulations Establishing Time Limits in Relation to Matters Before the Copyright Board


Here is my personal submission today about the proposed regulations re Time Limits at the Copyright Board:
*****

Macera & Jarzyna LLP
715 – 11 Holland Ave.,

Ottawa, ON 
K1Y 4S1

Tel: 613.238.8173
Fax: 613.235.2508

715 – 11 Holland Ave.,
Ottawa, ON 
K1Y 4S1

Tel: 613.238.8173
Fax: 613.235.2508

May 27, 2019                                                                                                  BY PDF

Martin Simard
Director, Copyright and Trademark Policy Directorate
Innovation, Science and Economic Development Canada
235 Queen Street, Ottawa, Ontario K1A 0H5
martin.simard@canada.ca

       - and -

Kahlil Cappuccino
Director, Copyright Policy
Department of Canadian Heritage
25 Eddy Street Gatineau, Quebec K1A 0M5
Sent by email

Dear Sirs,
Re: Notice in Canada Gazette, Part I, Vol 153, No 17, April 27, 2019 re: Regulations Establishing Time Limits in Relation to Matters Before the Copyright Board

Thank you for the opportunity to comment on the proposed regulations. The following comments are in my personal capacity and do not necessarily represent any client of mine. I have written in the past at length in my personal capacity about time limits at the Copyright Board (the “Board”) and have made submissions to the Senate BANC Committee and ISED.  Please see, for example, the attached document dated September 29, 2017 submitted in the Government’s consultation process.

I can quickly summarize my position on the proposed regulations (the “proposal”):
  1. This proposal does nothing to ensure that a hearing on a contested matter is held within a reasonable length of time. It routinely takes the Board four years or even more to get to the oral hearing stage. I am unaware of any other Canadian tribunal or court that moves so slowly.
  2. There appears to be widespread concern that the proposal does not specify when the “conclusion” of a hearing – whether oral or writing – takes place.  The Board frequently follows up after the supposed “conclusion” with further requests for evidence or submissions, thus prolonging the beginning of the proposed 12-month period potentially indefinitely if this practice is to be condoned and continued. Such a practice is unheard of in Canadian Courts or other tribunals of which I am aware, except in the rare event that a potentially binding and applicable judicial decision is delivered after the apparent close of the hearing. In fact, the Canadian Judicial Council has specifically pronounced that “judges should render decisions within six months of hearing a case, except in very complex matters or where there are special circumstances. There should be no reason why a presumably expert tribunal with unusually large and growing research resources cannot address all necessary questions at an oral hearing or by a fixed date in a written proceeding.
  3. On top of these uncertainties, the Board will still be given broad discretion to extend the time limits, which will likely be unreviewable for all practical purposes.
There is no reason why the Board should be immune from the norms applicable to other expert tribunals or courts.  In fact, the closest analogy may very well be the Federal Court, which is now required to deal with the Patented Medicines Notice of Compliance (“PMNOC”) matters now also including infringement issues within 24 months from start to finish including the rendering of a judgment. These matters are invariably much more complicated than anything coming before the Board and can involve issues worth hundreds of millions of dollars. The Federal Court deals with several of them at any given time. Most Federal Court judges have no prior expertise or experience with patent law when they are appointed. A Federal Court judge has only one clerk – unlike the Board which has a large and growing staff of lawyers and economists. These PMNOC cases are decided by a single judge and not a panel with multiple members. It must also be considered that the Board’s large and growing research staff may create issues arising from the principle that “he/she who hears must decide”.

In the USA, the Copyright Royalty Tribunal operates under a mandated fixed time limits of “within 11 months of the date of the post-discovery settlement conference or 15 days before the expiration of the existing rates or terms in a proceeding to determine successors to rates or terms that will expire on a specific date, whichever date first occurs.”  See my recent discussion of this and related issues on my blog on April 29, 2019 with references and links. http://excesscopyright.blogspot.com/

I am concerned that the proposal, if implemented, will normalize the inexplicable and unacceptable culture of delay that has unfortunately prevailed too often at the Board and which, not surprisingly, may at times suits the interests of certain major collectives, especially if they can expect that the resulting tariff will be regarded as mandatory and if it is retroactive. It may also sometimes be the case that some of the counsel, consultants, and experts retained by some collectives may also benefit from these lengthy and extended hearings.

The current Access Copyright proposed Post Secondary Educational tariff is perhaps an outlier in terms of timing even by Board norms – but it is the unavoidable example of what can go wrong in an extremely important proceeding. It is still pending after 9 years. The Board recently purported to seek comments from “affected persons” on the “feasibility and clarity of the terms of the tariff”. The Board thereupon announced by way of a ruling posted obscurely on its website without notification to those who responded that comments about the mandatory tariff and retroactivity issues, along with other key substantive issues, would be ignored. Since both issues have been explicitly dealt with in directly applicable Supreme Court of Canada decisions as pointed out in some of the submissions, the Board’s apparent indifference to this jurisprudence is very troubling.  It could be seen as very discourteous to those who went the time and expense of making submissions as invited with the legitimate expectation that these submissions would be given a considered and fair hearing.  See my blog comments with a link to those 11 submissions here: http://excesscopyright.blogspot.com/2019/04/the-copyright-boards-new-leaf-not-so.html

In conclusion, I suggest that, as is the case with the PMNOC regime, the Board be required to dispose of all contested tariffs within 24 months from filing to approval and certification with reasons.

Yours sincerely,

"HPK"

Howard Knopf
Att.



Thursday, September 29, 2016

Senate Committee on Banking, Trade and Commerce to study, and make recommendations on the operation and practices of the Copyright Board of Canada



The Honourable Senator Tkachuk moved, seconded by the Honourable Senator Nancy Ruth:
That the Standing Senate Committee on Banking, Trade and Commerce be authorized to study, and make recommendations on, the operation and practices of the Copyright Board of Canada.
That the committee submit its final report no later than Wednesday, November 30, 2016, and that the committee retain all powers necessary to publicize its findings until 180 days after the tabling of the final report.
After debate, The question being put on the motion, it was adopted.

****************

This will be interesting.

HPK

PS - During the course of this brief discussion in the Senate, Senator Tkachuk stated as follows on September 28, 2016, as reported by Hansard:

He said: Honourable senators, to get this out of the way, there will be no travel on this matter. The House of Commons is charged with reviewing the legislation on the copyright bill that was passed a number of years ago. We have had a number of presentations from businesses that said that the Copyright Board itself should be subject to review. We have decided as a committee that we would then ask them to come forward to us over the next couple of day to see what the problem is. If there is, we will make a recommendation to the House of Commons that they not only study the bill but specifically include the Copyright Board, which is excluded from the process

 (highlight added)

Note that the announced deadline to report of November 30, 2016 and the reference to the "next couple of days" suggests warp speed activity on the part of the Senate and some intense lobbying activity coming from somewhere. Given the curious mix of "strange bedfellows" that are concerned with unacceptable delays, expense, retroactivity and other issues that are clearly apparent at the Board, this development is not surprising and may present a useful opportunity.

Tuesday, June 28, 2016

The Canadian Copyright Board: To Be or Not To Be –That Is A Question – ALAI Conference, May 25, 2016

The ALAI symposium on the Copyright Board of Canada – Which Way Ahead took place on May 25, 2016 in Ottawa. I will not summarize everything that everyone said. There was a lot and most of it was quite good. These are just a few highlights that I can remember in no particular order. It was a constructive conference and I hope it was archived and will be webcast soon.

The conference opened with a fairly lengthy speech with fairly familiar content by Prof. Marcel Boyer, O.C., who is a frequent music industry expert witness at the Board. He essentially restated his expert evidence on the valuation of music in the commercial radio context, which has also formed the basis of a C.D. Howe Institute paper.  It is interesting that the C.D. Howe Institute would publish, as a peer reviewed paper, a document that Prof. Boyer himself admits “builds on testimonies I provided over the years as an expert witness before the Copyright Board of Canada and the supporting reports that I co-authored”.  

Prof. Jeremy de Beer then moderated a panel in which he took a major role himself, including a laminated handout, complete with a QR code, summarizing his government funded study published last year, which I have written about at length and, with respect, great skepticism. Here is his QR code, which is one way to get to his study, if you want to read it on your smart phone.



This is my first experience with the use of a QR code by an academic.

According to Prof. de Beer’s methodology, “every certified tariff was broken into its constituent components and subcomponents, dissected by year, number, and letter (where relevant).”  This leads to the confusing, arguably counterfactual and certainly counterintuitive conclusion that:
The Board certified 852 different tariffs in respect of the 15-year study period between 1999 and 2013. Only 8 proposed tariffs were not certified. There remain 209 tariffs proposed during that period but not yet certified. When (and assuming) those tariffs are eventually certified, the Board will have dealt with more than 1050 tariffs applicable to the 15-year period since the 1997 legislative amendments entered into force. That amounts to more than 70 tariffs per year on average. (emphasis added) (footnotes omitted

Such astonishingly high numbers of tariffs may be useful for generating sufficiently large numbers to apparently justify some sort of presumably expensive statistical analysis of Board activity.  But such an arguably artificial methodology, dependent on dissection, unfortunately obfuscates the actual numbers that really matter and exaggerates the ones that do not. The really important numbers, using the Board’s own taxonomy, as seen below, are quite probably much too low to be susceptible to statistical analysis.

This methodology also leads to a result that makes the Board look considerably more productive in a quantitative numerical sense than even the Board itself has ever claimed. Interestingly, however, even the Board has begun to use the number “70”, as in Vice-Chairman Claude Majeau telling the Industry Committee of the House of Commons on May 5, 2016 that:
On average, the board issues about 9 decisions every year, which encompass over 70 tariff units, including a significant proportion that have been the subject of public hearings.

Even former Chair William Vancise cannot resist using this new number of “70 tariff units”. In the written text of his speech at the event - see below - he states "On average, the Board certifies over 70 tariff units annually. This volume alone could justify a marked increase in current resources." 

Note the Board’s careful new use of the term “tariff units” – in contrast with what it has always called simply “tariffs”. And note that, while these comprise “a significant proportion that have been the subject of public hearings”, it is also true that a significant number of them do not because they are unopposed and often economically insignificant. With respect, these numbers are inconsistent with the taxonomy of what the Board itself has always considered to be a “tariff” and a “decision”, which can be readily seen on the Board’s own website and in its annual reports.

The real numbers that matter, as I have shown – which are based on the Board’s own actual numbers from its website - are as follows:
  •        During the 15 years study period, the Board certified only 74 tariffs, according to its own taxonomy – many of which were uncontested.
  •       The Board certifies on average 4.9 tariffs per year. This is greater than the number of decisions per year, since many of these tariffs are unopposed because they are unimportant or the objectors cannot afford to participate in the Board’s process, or for other reasons – such as the oppressive and intrusive interrogatory process.
  •        The Board normally renders only about two or three important decisions per year. It is entirely unclear where the figure of “9 decisions” comes from.
  •        It often takes four years or more for a contested tariff to get to a hearing.
  •        If often takes two years or more for a decision to be rendered after a hearing. Here are recent example of post-hearing pendency delays before a decision was rendered:
        Commercial Radio = ~ 30 months
        K-12 I =  ~ 24 months
        K-12 II  = ~ 20 months
        Fitness = ~ 26 months
        Re:Sound Tariff 8 (“Pandora”) = ~ 18 months
        SODRAC Tariff 5  = ~ 30 months and has now been remitted by SCC
        Access Copyright Provincial Tariff = ~ 30 months
        CMRRA/SODRAC Inc. (CSI) Tariff (2011-2013);
SOCAN Tariff 22.A (2011-2013;
SODRAC Tariff 6 (2010-2013) – still pending since November, 2013

I presented these numbers at the ALAI event and nobody took any issue with them.  Two or three decisions and 4.9 tariffs per annum do not require or even permit any application of statistical methodology.

With only two or three decisions and 4.9 tariffs (by the Board’s pre-de Beer analysis) a year coming from the Board, there is no basis for statistical analysis and absolutely no basis for further analysis, as Prof. de Beer suggests:
At the present time, it is simply unclear whether the Copyright Board is now settling into its role and the process is becoming faster, or whether the complexity continues to grow and the tariff-setting process is in fact taking longer than it was several years ago. Only more time, and more data, will tell.

It does not require even simple arithmetic to see that the Board often takes at least six years to deal with its contested tariffs and that is before the now seemingly inevitable judicial review. Unfortunately, I must conclude that Prof. de Beer’s study obfuscates these numbers. It seems that everyone other than him, and even the Board’s retired Chairman Justice Vancise, seems to acknowledge that it is often taking the Board 24 months or even longer to render a decision after a hearing, and that the hearing may have been four years or more in the making. We don’t need any more statistics or study to get that point. As for the dozens, or hundreds or however many other unopposed, and usually economically insignificant “tariff units”, we also don’t need more statistics or study. There is clearly a management problem at the Board in dealing with these kinds of routine files – and the implementation of regulations imposing deadlines on the Board would seem to be the only reasonably assured way to solve the problem.

But even the shortened average timelines in Prof. de Beer’s study, which do not reflect the above reality, are still cause for concern, as was apparent at the ALAI event. This was evident in the response of Jason Kee of Google and others who spoke for powerful interests, who emphasized that new technology moves very quickly and delay and retroactivity are serious concerns, even for an enterprise as powerful as Google. Also on Prof. de Beer’s panel was Prof. George Barker, a regular expert at the Board for the music industry – who somewhat surprisingly and frankly pointed out that calls for greater resources should be viewed in light of the inherent self-interest of every government institution and those who manage it to call for more resources. Stephen Ellis of the Canadian Retransmission Collective pointed out that delays and retroactivity can case great problems even for the beneficiaries of such as lucrative tariff as retransmission, where there have been serious problems in the allocation of money years after the fact due to delay and retroactivity.

A new study commissioned by the Government from Prof. Paul Daly was briefly discussed and was the centre piece of a panel moderated by Mario Bouchard, former General Counsel of the Board.  The Daly document:
1.     Proposes that the Board should be able to award costs. This suggestion was dismissed by retired Chairman, William Vancise, who noted that, during his tenure, he had not observed any egregious behavior on the part of parties or their counsel and that he could see no reason for a cost award regime. It would seem obvious that collectives never get what they ask for – and this alone would hardly seem to be the basis of awarding costs. Prof. Daly provides nothing specific on this inherently controversial suggestion.
2.     Proposes a number of fairly obvious recommendations about case management, to be dealt with through regulations proposed by the Board itself and approved by the Governor in Council including the early exchange of Statements of Case.  The report stops short of suggesting or even considering regulations directly from the Governor in Council that could be far more potent and effective.
3.     Recommends that the current Directive on Procedure be retained.
4.     Recommends that “the Copyright Board should continue to attempt to effect culture change through informal changes – including a ‘Best Practices’ manual for (a) conducting discovery, (b) introducing expert evidence and (c) conducting a hearing – and persuasion”
5.     Recommends further study “with a view to developing a metric which would propose benchmarks for the time periods within which regulatory decisions ought to be rendered”

The study contains some useful, even if fairly obvious, references and commentary regarding some other tribunals. The study stops far short of suggesting time limits, qualifications of Board members, etc. or anything else of any specificity that would have any significant impact.  This frankly restrained and inconclusive study will neither cause much offence nor lead to much change, even if followed. Like so many other consultants’ studies, it mainly seems geared towards the need for further study.  Something more concrete would have been more useful.

Interestingly, there is no consensus overall on the widely asked question of why the Board, unlike any other court or tribunal of which I am aware, allows discovery to take place – sometimes seemingly endlessly and without apparent limit – without requiring a collective to file at least some specific basis of the factual and legal underpinning of the reason why it is seeking to collect millions of dollars a year – up to $200,000,000 per annum in the current retransmission case. Likewise, objectors should state why they are opposed. In my experience, the objectors do a better job of this at the beginning, even under the present unregulated system, than the collectives.

Even veteran counsel on both sides of the fence do not agree that anything approaching the equivalent of a “pleading” or “notice of application” should be provided up front – which is what normally happens everywhere else. For my part, I asked why an organization such as SOCAN that has been around for about 90 years and knows very well how the radio and other copyright intensive businesses work, cannot figure at the outset at least the basic factual and legal underpinning of tariffs that could cost it and any objectors millions of dollars to determine and hundreds of millions of dollars to users who have to pay. No court would tolerate such vagueness and lack of particularity – especially from such sophisticated and ultra-experienced parties. Fishing expeditions are not generally tolerated in the justice system – especially when the fish are endangered species.

Several speakers noted the potential financial costs of delayed and highly retroactive decisions, and of course the obvious fact that technology and business practices change so quickly that the uses dealt with by a tariff may be obsolete long before the decision is rendered. A year is a very long time when it comes to things like webcasting, streaming, downloads, etc. Six years or more is an eternity in today’s business world and particularly so in the digital technology space.

I know of no other board or tribunal in Canada that takes so long to hold a hearing or render a decision. Judge David Strickler, from the US CopyrightRoyalty Board (“CRB”), explained that his Board, which has a support staff of only two professionals and one administrative person, is required by statute to render decisions by certain tight and specified deadlines – and it does so.

That is because it has no choice. It’s also notable that the US law requires that all three CRB judges be lawyers, that one has expertise in economics, and one have expertise in copyright law. They presumably hit the ground running. The CRB’s decisions can be much longer and more detailed than those of Canada’s Copyright Board – and issue much quicker. There seems to be much less recourse afterwards to the Courts.

I pointed out that Canada’s sui generis Patented Medicines Notice of Compliance regime cases must result in a written judgment decision within 24 months from the start of the application. This is required by law. The cases can be very complex both technically and legally, involve up to ten experts and may involve far more money than many of the Copyright Board cases. The Federal Court routinely disposes of several dozen of these invariably complicated cases each year – and invariably within the time limit set by regulations – 24 months from start to finish. A substantial number of these dispositions involve hearings with voluminous applications records, and can result in very lengthy decisions replete much science and much law. For example, here’s a PMNOC decision released today that’s 132 pages long (in English) with several diagrams of molecules and other arcane discussions of pharmaceutical chemistry.

The Federal Court now has set the norm that even the most complicated cases should be heard within two years of commencement and a judgment rendered within 3 or four months afterwards. The Supreme Court of Canada normally renders its judgments in less than six months after a hearing. All of this data was in my slide show – see below.

The grand finale of the day was a rather intense speech by retired Justice Vancise with some interesting reminiscences. He is still “seized” of a couple of files if I heard him correctly, even though he retired over two years ago as Chair of the Copyright Board.  A written version of his talk is available here. It lacks some of the frankness and colourful and sometimes even personally specific spontaneity of his actual remarks. Whether one agrees or not with everything Justice Vancise has to say, his enthusiasm, impassioned and sometimes outspoken rhetoric – both written and verbal - on what he believes to be right are certainly noteworthy and unusually interesting for a sitting or former jurist. Michael Geist has also commented on his talk.

While Justice Vancise claimed to be speaking only personally and not for the Board, he was very explicit in concluding with a plea for a “consensus” that the Board needs more money so that that Board can hire more people. He suggested that some of the changes in the 2012 legislation, such as making available right, the user generated content and parody provisions will expand the workload of the Board. I frankly do not understand this point.  Most, if not all, of these amendments will conceivably have only a potentially marginal effect on tariffs that are no longer de jure or even de facto “mandatory”.  Laws evolve – it does not necessarily follow that boards and tribunals need to expand to keep up with this evolution.

In the case of the Copyright Board, the Board is normally blessed with party briefs from some of the best and best paid copyright counsel in Canada – except where parties withdraw or choose not to participate, for whatever reason. The Board also has four very capable lawyers on staff full time – which is more lawyers than the number of significant decisions that the Board normally issues each year. Indeed, for whatever reason, as the Board’s legal staff gets larger, the delays seem paradoxically to get longer.

With respect, I believe that more money and more people for a Board that already has a staff that is already 500% larger than its US counterpart  and substantially larger than Canada’s Competition Tribunal will only slow things down even more. This may even increase the likelihood of administrative law challenges based upon failure to disclose background briefing material and the important maxim that “S/He who hears must decide”.

At the end of the day, what is needed are regulations setting out deadlines and procedures, including case management, that bind not only the parties but the Board. All comparable court and tribunals operate this way. There is nothing unusually complicated about copyright law or rate setting that would justify the culture so clearly entrenched at the Board that assumes that its cases are uniquely complex and require so long and so much resources to determine. Much of this culture is no doubt attributable to some veteran counsel who may understandably be in no hurry to be in a hurry. Long cases usually result in bigger bills than short cases – unless, of course, the client reaches the breaking point and withdraws or declines to engage altogether.  And, in many cases, even the objectors are under no great pressure to minimize costs because legal costs can be passed along, at the ultimate expense of both creators and the general public who pays a bit more for cable bills, or a “wedding tax” each time they get married. Moreover, as Justice Vancise pointed out, tariffs such as the “wedding tax” occasionally make headlines and cause much political consternation.

This culture has also resulted in an attitude on the part of some that the Federal Court of Appeal and even the Supreme Court of Canada should be more deferential to the way the Board works and the results it reaches. The implication that the Board and some of the regular counsel and experts who appear before it are so expert in copyright law that the courts should keep their distance more so than usual is not only inappropriate. It is also symptomatic – and perhaps even a causal factor – of the Board’s unsustainable isolation from the comparable international norms of the regulation of copyright collectives, or any other comparable kind of economic regulation, such as antitrust.

The Copyright Board already gets special treatment in terms of judicial review in Canada, being one of the few elite tribunals whose cases go directly to the Federal Court of Appeal. The Copyright Board should welcome – rather than try to avoid – the teachings and guidance of the Federal Court of Appeal and the Supreme Court of Canada, which have provided very constructive and often essential guidance and occasional correction to the Board.

There were some other interesting themes that came up during the day. There was some interesting discussion later on about the phenomenon of “expert” witnesses who have appeared over and over on behalf of the same clients at the Copyright Board and whether some of them might fail to be “qualified” in the normal courts due to a perceived or perhaps even actual lack of independence. I am not suggesting that this concern applies to any particular person. However, even Justice Vancise and others acknowledged the issue later in the day and Justice Vancise even mentioned one or two individuals by name.

I emphasized that the recent Supreme Court decision in CBC v. SODRAC will force the Board to establish tariffs that will have to be attractive  to users, once users understand and accept that tariffs that are not “de facto” mandatory can be ignored if there is a better and cheaper way to clear their copyright needs. The SCC’s footnote about retroactivity is also an important signal that should be noted by the Board. Overall, I am firmly of the belief that we do not need more studies about the Board – unless they are directed towards specific recommendations for solutions based upon comparative best practices and benchmarks.  The problems and all the essential numbers are already known, as I have shown. And the experience of the US Copyright Royalty Board is transparently available. Also, the Canadian Competition Tribunal – which is receiving increasing attention as a comparative model – is also readily transparent on its excellent website. It’s time for sensible and sustainable solutions – not more inconclusive studies.

My modest suggestions for solutions, which might include the option of merging the Board with the Competition Tribunal, are set forth in my Ficsor-length slide presentation, which follows. I somehow managed to get through all of it in my allotted ten minutes:


In conclusion, this was a good conference. Overall, there was general agreement that things need to move much faster and cost much less at the Board – but little agreement on how to get to this result.

There was much frank discussion. But it was all cordial and well balanced.  Even Ariel Katz and Barry Sookman agreed with each other on one or two points, such as the desirability of competitive market based licensing. Justice Vancise and I also agreed on the inappropriateness of the Music Canada campaign to lobby the new Chairman. Indeed, Judge Vancise was even more outspoken than me on this point, using the words “completely unacceptable”.

ALAI is to be thanked and congratulated on this major event in Ottawa. One hopes to see more such conferences in the future.

HPK



Tuesday, March 15, 2016

The Copyright Board’s K-12 Tariff: Good, Bad, Retroactive, Mandatory? A Seven Year Itch?

White Dress of Marilyn Monroe from The Seven Year Itch https://en.wikipedia.org/wiki/White_dress_of_Marilyn_Monroe

The Copyright Board’s K-12 decision for 2010-2015 was released on February 19, 2016. The tariff was filed on March 31, 2009. The hearing took place in May, 2014. Now, almost two years after the hearing and almost seven years after filing, we finally have a decision. Naturally, it is retroactive back to 2010. It is 172 pages long, which puts it in the top three or so of the Board’s longest decisions. Here is the actual Tariff.

The bottom line is this, according to the Board:

The rates certified by the Board are $2.46 per student per year for the period 2010-2012, and $2.41 per student per year for the period 2013-2015.

The amounts of royalties that are likely to be generated by the tariff the Board is certifying are $9.5 million per year for the period 2010 to 2012 and $9.3 million per year for 2013-2015.


Access’ initial proposed rates were $15 per student for the 2010-2012 period and $9.50 per student for the 2013-2015 period. Access later reduced its request to $13.69 per student for 2010- 2012 and maintained its request at $9.50 per student for 2013-2015. The Objectors to the Tariff, the ministries of education and the Ontario school boards, proposed a rate of $0.49 per student for 2010-2012 and $0.46 per student for 2013-2015

AC’s reaction, posted February 23, 2016 includes the following statement:

While the amounts may appear reasonable on the surface, we are disappointed by the Board’s decision, which establishes a troubling framework for determining the fairness of copying behaviour in schools and dismisses the value of much of the content that is used. 

AC is clearly trying to position the rate of $2.46 as “reasonable” when many would regard it as quite the contrary, in part for the reasons suggested below. AC can probably live happily with the rate, which would provide it with almost $10 million per year, if the school boards actually regard it as mandatory and actually pay it (but see below!). But of course AC then predictably goes on to predict gloom and doom in any event:

The Board estimated, for example, that schools covered under the tariff copied approximately 195-million pages from books in Access Copyright’s repertoire each year. In its tariff valuation, however, the board excluded 87% of that copying, or approximately 179-million pages.

That means creators and publishers of books are going uncompensated for copying of an amount equivalent to approximately 897,300 books, annually.  

We are concerned this decision will further diminish the incentives to publish at the same time as it creates a compelling incentive for K-12 decision-makers to rely, even more, on copying as an alternative to purchasing content.    

The CMEC consortium representing the K-12 school boards outside Quebec said:

The announced tariff rates are lower than the per-student rates requested by Access Copyright of $15.00 for the years 2010–12 and $9.50 for the years 2013–15. However, the consortium had sought a lower rate.

Indeed, CMEC stops well short of claiming this as  a victory – perhaps because the rate is only about half of the arguably much too high rate that it claimed as a victory in 2009 and is about 500% higher than the rate recently certified for provincial employees and what CMEC had proposed. As I reported on the Provincial Governments tariff last year: 

Eleven years ago, Access Copyright filed a tariff seeking $15 for each full time equivalent employee from provincial and territorial governments. 

Its ship has now come home.  But spoiler alert: the ending was not a happy one for Access Copyright. The ship was not full of riches as expected. Instead, the Copyright Board has awarded only 11.56¢ - that's indeed ¢ and not $ and not a typo - per employee per year or 0.0077, i.e. less than 1%, of what Access Copyright asked for. That is for the period of 2005-2009. The rate goes up to 49.71¢ per employee for 2010-2014. But that is in turn only about 2% of the $24 per employee that Access Copyright asked for.

This arguably much too high rate may be due at least in part to CMEC’s reliance on the same problematic “Volume Study” it used in the last 2005-2009 hearing that was already seriously flawed at the time by their own admission because, as I suggested in 2009, the Educators had agreed at an early stage of those proceedings to a survey methodology that resulted in evidence that by their later admission “needs to be collected differently” in light of the 2004  CCH v. LSUC case, even though it was obvious at the outset in 2005 that the landmark CCH decision could and should affect what happens in Canadian schools. Perhaps a new Volume Study that asked all the right questions might have been a good investment. However, it clearly would have been expensive and intrusive once again. Perhaps the Board should force – or regulations should require – that tariff applicants bear the entire cost of such studies.  But that is a topic for another day.

In any case, there is a much more immediate and cogent, though not unrelated, reason why the rate is so high, as explained below, concerning so-called “consumables”.

BTW, that 1998 $2.10 rate adjusted to inflation according to the Bank of Canada would now be just under $2.94. Intuitively, based upon the Supreme Court of Canada jurisprudence and the 2012 legislation, the K-12 tariff should be MUCH lower than that, not just $0.48 cents lower. Indeed, recall that that the $2.10 rate negotiated in 1998 predated the landmark CCH fair dealing ruling, which the school boards have been slow to assimilate and we now have the 2012 pentalogy decisions AND  the addition of “education” to s. 29 of the Copyright Act. It will also be recalled that the 2005-2009 tariff was set at $5.16, which was later reduced to $4.81 following the Province of Alberta decision from the SCC in 2012. That amount of $5.16 was arguably much too high, as I suggested at the time.

Both sides express concerns with the Board’s reasoning. Overall, there are some good legal findings in the current K-12 decision, from the standpoint of public policy. CMEC is to be commended for bringing about a better understanding of fair dealing in the context of education and the Board is to be commended for adopting what were presumably many of CMEC’s arguments.

The Board seems to have finally refused to include works of non-affiliated rights owners – which AC had tried to include by sending out cheques to sometimes bewildered recipients whose names somehow appeared in AC’s database and received a small cheque out of the blue (para 158).

There is growing scepticism by the Board re inclusion of repertoire from foreign RROs (para 165).

The Board refused to go along with inclusion of sheet music in the tariff, since the volume in evidence was too low to be reliable – and suggests a transactional tariff, but nobody proposed one (paras 186, 187).

On substantiality, Board, at long last, properly notes that the old maxim that “what is worth copying is prima facie worth protecting” is “now discarded”. (para 217)

There is no indemnity provision in this tariff. (para 185) The indemnity provision was always highly problematic from a legal standpoint – as I have questioned for many years. That said, it was comforting to users, if they did not ask too many inconvenient questions, such as whether AC was providing an unlicensed insurance scheme.

Notably, the Board accepted key CMEC’s submissions on fairness with respect to copying from books. For example:

[288] For longer works, such as books, guided by the Supreme Court’s decisions in CCH, Alberta, and Bell, we use the following approximation: where the amount of a work copied was less than or equal to 5 per cent of the work, we conclude that the amount copied tends to make the dealing fair; where the amount copied was more than 5 per cent but no more than 10 per cent of the work, we conclude that the amount copied did not affect the fairness of the dealing; where the amount copied was greater than 10 per cent of the work, we conclude that the amount copied tends to make the dealing unfair.
[425] With respect to goal, we find that 100 per cent of dealings for books tend to fairness. This is because there are two underlying goals—private study and education—that cover all the copying that takes place in the educational context.
[426] With respect to amount of the dealing factor, and as explained above in Part XIII.F above, we apply the following rule. If fewer than or equal to 5 per cent of the pages in the work were copied, the dealing tends to fairness. If more than 10 per cent of the pages in the work were copied, the dealing tends to unfairness. The intermediate interval has a neutral tendency.

That can be seen as a vindication of CMEC’s fair dealing guidelines, which some had thought that the Board would not treat with great sympathy. Whether the Courts will agree may be another matter, which may get addressed in judicial review of this decision and perhaps much sooner in the AC v. York U case, which I’ll have more to say about another day.

However, on a less positive note, the Board rejected CMEC’s transactional license proposal as insufficiently supported by the record and that it would entail ongoing “monitoring and compliance” so as not be “an invitation to copyright violation” (para 368)

So, Why All the Right Reasoning and Resulting Surprisingly High Rate?

The Board did some interrelated things that could render its decision susceptible to judicial review (aka “appeal”) – with a result that is not easy to predict that this stage.

First, it apparently was not happy with the approach of either side on fair dealing and decided to embark upon a methodology of its own without giving the parties an opportunity to comment. It also decided, in contrast to the previous tariff, to included “consumables”.

In the Board’s words:

[348] We generally proceed with our calculations in the same manner as the parties, by determining the number of copies that were made for a permitted purpose, and, of those, how many were fair. However, in order to use the aggregate information in evidence, we must make the assumption that the characteristics of copying (such as the goal of the dealing, the amount of the dealing, or nature of the work) are independent of one another. For example, whether a copy is made for one purpose or another, the amount of the work copied is not dependant on the purpose. This assumption is necessary, since the data that was adduced by the parties from the Volume Study does not let us correlate such characteristics with one another with any confidence.

[349] Given that the information in relation to consumables, which were not compensable under the K-12 (2013) decision, is also drawn from the 2006 Volume Study, and was also provided to the Board in aggregate form, we use the same method for approximating the amount of fair dealing in relation to consumables as well.


[350] The full methodology and calculations are discussed in Part XVI.E and in Appendix B. The methodology is of our own design, inspired however by submissions of the parties, particularly those of the Objectors. The calculations use data that is part of the evidence. Our assumptions and inferences are also based on the evidence. Because we are of the opinion that the parties did not adequately address fair dealing, we had no choice but to fashion a methodology of our own.


[351] The use of our own methodology raises the issue of whether or not we should submit it to the parties for comments. We decline to do so, for three reasons. First, allowing the parties to comment on the methodology issue would introduce several months of needless delay. We believe that the record is complete enough as it is. Second, the methodology is fundamentally based on the six-factor legal framework from CCH. This is a well-known framework, on which the parties have already commented extensively. Finally, the methodology uses data found in the evidence. The later has been extensively examined and cross-examined by the parties.
(highlight added)

The decision to make CMEC members now pay for the consumables that were excluded in 2009 appears to be based upon AC’s inclusion this time of the item in its proposed tariff.  CMEC did not object per se, but appears to have argued mainly about how much of the copying of consumables should be worth. The data for the consumables calculation came from the less than satisfactory 2005 Volume Study. It is not evident in the decision exactly what was considered in the Volume Study to be a “consumable”. 

The decision to include consumables and the value ultimately placed upon copying of consumables clearly is why the tariff appears to be so much higher than expected.  As noted, this is in contrast to the previous decision. This time, the Board defines “consumables” as “works that contain a statement to the effect that copying is not permitted”. (para. 33) This is in marked contrast to the Board’s 2009 decision wherein it stated that:

[12] A consumable is a document that is intended
for a single use and that may not be reproduced.
In contrast, a reproducible is a document sold
with the authorization to reproduce it for in-class
use.

[22] Access acknowledges that some copies
cannot or need not be subject to the tariff. The
first are copies of documents of which
reproduction is not allowed (and therefore,
illegal): essentially, consumables. The second are
those already authorized by the rights holder or
by the Act: these are copies of reproducibles and
copies authorized pursuant to exceptions under
the Act, including the fair dealing exception. For
the remainder, Access assumes that practically
all copies of published documents given to
students will result in remuneration.

The Board seems to have dropped the “intended for a single use” component of its 2009 definition of "consumable". 

The “consumables” development is potentially very troubling. It will be trivially easy for publishers and everyone else to include such an explicit statement in every document, whether it be a workbook, a web page or a long history book. Indeed the copyright pages of many, if not most, books already contain such as statement. I’m looking right now at the copyright page to my handy Carswell compilation of Canadian IP statutes, which contains the remarkably incorrect statement that “No part of this publication may be reproduced, stored in a retrieval system, or transmitted … without the prior written consent of the publisher (Carswell)” And that’s a book of statutes, for goodness sake! (Sorry Carswell – you are my publisher but you shouldn’t include this over-the-top boiler plate!) Even Sam Trosow and Laura Murray’s excellent book contains such a statement, which I am sure Sam and Laura never intended to be the case. This kind of boiler plate may frighten some timid librarians and even timid copyright lawyers. The Copyright Board should not take it at face value, and have given no compelling reasons to take it at any value.

Such statements cannot and do not replace the law of the land as stated in the Copyright Act and by the Supreme Court of Canada. As the Chief Justice said in CCH, in 2004:
49    As an integral part of the scheme of copyright law, the s. 29  fair dealing exception is always available.
70    The availability of a licence is not relevant to deciding whether a dealing has been fair.  As discussed, fair dealing is an integral part of the scheme of copyright law in Canada.  Any act falling within the fair dealing exception will not infringe copyright.  If a copyright owner were allowed to license people to use its work and then point to a person’s decision not to obtain a licence as proof that his or her dealings were not fair, this would extend the scope of the owner’s monopoly over the use of his or her work in a manner that would not be consistent with the Copyright’s balance between owner’s rights and user’s interests.

Leaving aside the fair dealing analysis, it is not clear what exactly formed the basis of the “consumables” calculation at the end of the day in terms of what types of works were included, or the criteria for classifying them as consumables. It all appears to trace back to the flawed 2005 Volume Study – but if that is so, why should the Board have relied on such evidence?

However, if one follows (or tries to follow) the Board’s reasons and calculations, it becomes apparent and is summarized in Table 35 that 79% of the FTE rate of $2.46 is attributable to “consumables”. Without the new and unexplained inclusion of "consumables", this tariff would be worth only less than $0.46 per FTE, in other words just about exactly what CMEC had suggested at the outset.


See also paras. 308, 309, 349, 350, 445, 446 – 448, 477, 487, 499.  


Why Did the Board Not Consult the Parties About its “Methodology of Our Own”?

The reference to a potential delay of “several months” (para 351) if the Board were to have afforded the parties an opportunity to comment on the new methodology is nothing if not ironic. This tariff is retroactive by six years. The Board took almost two years after the hearing to render this decision.  That is an extraordinary, inexplicable and frankly very problematic result compared to other Canadian courts and tribunals. Another few weeks or months would hardly seem to make a difference after seven years. In any event, why it would take the parties “several months” to respond is not clear. Courts routinely ask parties to respond to important questions on the Court’s mind that may not have been considered by the parties on the spot, or overnight.  The real question is why it took the Board so long to come to “the opinion that the parties did not adequately address fair dealing” at the hearing, or indeed in their statements of case.


Indeed, if the Board’s decision - to unilaterally go off on its own on a fundamental issue long after the hearing was over and not consult the parties - results in judicial review, whether or not successful, another year at least will be added to the retroactive effect of this tariff. It could even be a much longer, if the Federal Court of Appeal remits the matter back to the Board – and far longer still if the matter ends up in the Supreme Court of Canada.

Moreover, an old issue is suddenly back and potentially in the foreground. This is the very fundamental jurisdictional question of whether the Board can even render such retroactive rulings, concerning which see more below. Spoiler alert: the “retroactivity” issue is now clearly on the Supreme Court of Canada’s radar screen. This could be a game changer.

Note on the Delay and Retroactivity

The new Chair of the Board was not involved in this proceeding, which has been almost seven years in the making, including almost two years since the hearing took place. The former Chair, Justice Vancise, was seized of this case and has had it under reserve, along with his colleagues, for almost two years since his retirement from the Board. Chairman Vancise’s term as Chair ended on May 13, 2014which came just after the hearing in this case concluded. The statute allows a retired member to conclude matters that the member “has begun to consider”. Unlike the Supreme Court of Canada, for example, there is no stated time limit on how long this may take.

The retroactivity issue is now clearly on the radar screen of the Supreme Court of Canada as a result of my submissions in the recent CBC v. SODRAC case. See paragraphs 109 – 111 of the decision. In footnote 2 of the decision, Justice Rothstein noted that:

During the hearing before this Court, counsel for the interveners the Centre for Intellectual Property Policy and Ariel Katz briefly raised concerns regarding the Board’s power to issue retroactively binding decisions in general. That issue was not squarely before this Court in this case, and I do not purport to decide broader questions concerning the legitimacy of or limits on the Board’s power to issue retroactive decisions here. 

That is not a ruling. But it is a clear signal that the Supreme Court has this issue on its radar screen. The retroactivity issue was raised in my clients’ factum.  The Court’s interest was very clear at the hearing. Watch at just before the 163 point in the webcast of the SCC hearing where Justice Karakatsanis raised this issue, which extended our intervener oral submission into overtime.

This is not the first time that the Court has been concerned about retroactive copyright tariffs. The Court pronounced on this rather clearly back in 1954 in the case of Maple Leaf Broadcasting v. Composers, Authors and Publishers Association of Canada Ltd., [1954] S.C.R. 624 (which was in our factum) in which the  majority stated that, in the context of concerns about only a few weeks or months of uncertainty and retroactivity:

I think the better view is I that it is an implied duty of the Board to proceed with all possible expedition and that the statements if certified later than January 1 relate back upon certification to the commencement of the year.
(emphasis added)

Surely “all possible expedition” doesn’t mean almost seven years. It will be interesting to see whether, if CMEC seeks judicial review, the retroactivity issue will be raised. There appears to be at least $55 million at stake for the previous six years.

I shall have more to say about the retroactivity issue another day. For the moment, suffice to say that the Seven Year Itch phenomenon may be setting in.

Note on the “Mandatory Tariff” Theory

Above all, the elephant in the room for all concerned in the educational sector in particular – and apparently not addressed here by CMEC or the Board – is the overwhelmingly important question of whether the Board’s tariff is “mandatory” in any sense at the end of the day. If it is not, and if the school boards  and other major sources of revenue for AC find a better and cheaper way of copyright compliance and stop paying AC as if it were mandatory, AC will have a major existential problem.

According to the Supreme Court of Canada in the SCC’s recent CBC v. SODRAC decision, as I understand the reasoning and it was indeed yours truly who successfully argued this very issue, it is not mandatory as far as the school boards are concerned. Naturally, I reiterate, as I do from time to time and is always stated on my “masthead”, that my views on this, or any other topic on this blog, are not to be taken by anyone as a legal opinion or advice for any purpose.  Readers should consult their own counsel – and in any event read for themselves the Supreme Court’s copyright decisions. The Court’s copyright decisions are very clear and comprehensible, even to non-lawyers. One senses that the Court is very aware of the public policy implications of these decisions and wants the public to read the reasoning directly and that this is why these decisions are written in a particularly eloquent and direct manner and perhaps even more so than the Court’s generally very lucid judgments.

If, as is absolutely clear in the CBC v. SODRAC decision, a Board tariff is NOT mandatory as concerns a party that becomes involved, as a result of failure to reach a royalty agreement, in the so-called (but misnamed) “arbitration” procedure under s. 70.2, why would it then be “mandatory” for countless school boards who were forced to appear before the Board because this was under the Board’s “general regime” set forth in Sections 70.1 to 70.191 of the Act? If anything, the case that a general regime tariff is not mandatory seems even more obvious than under the so-called “arbitration” regime of s. 70.2.

Even if the CMEC consortium didn’t raise the issue of whether the tariff could and should be “mandatory”, that doesn’t mean that this tariff is mandatory. The Supreme Court’s ruling in CBC v. SODRAC predated this Board decision by about three months. While the Board has asked numerous parties to comment on the technological neutrality aspects of this decision, it has not done so with respect to the “mandatory tariff” aspect. When the Supreme Court rules, its decisions are effective immediately, unless the Court says otherwise (notably in Charter cases where time may be needed to amend or adjust). It is somewhat surprising that neither the Board nor the objectors took any steps to assess the impact of the “mandatory tariff” ruling on this case. Likewise, as I have noted, there was not discussion of this issue in the Post-Secondary hearing that concluded on January 22, 2016.

The issue of “mandatory tariffs” and how it was dealt with in a conference at Osgoode Hall Law School on Thursday, February 25, 2016 where Ariel Katz and I explained why, in our view, tariffs such as this are NOT mandatory. This should be available soon on the web – I’ll let folks know when. Here are the Power Points.  Anyway, what Ariel and I and David Lametti, who was part of the team with Ariel and me and is now an M.P. and Parliamentary Secretary to the Minister of International Trade, argued and believe doesn’t really matter anymore. What matters is what the Supreme Court of Canada said. And what the SCC said, in Justice Rothstein's last and legacy copyright decision before he retired, is very clear. On this issue, there was no dissent.

It will be interesting to see if school boards regard this tariff as mandatory on a going-forward and/or retroactive basis. AC’s much vaunted and commissioned PWC study suggests that the school board’s payments have indeed stopped as of January 1, 2013. See page 23.

Overall Conclusion on the Board’s Decision

My preliminary take on this very complex decision includes the following:

The Board is finally getting around to correcting some of its prior misunderstandings on issues such as repertoire, implied agency, insubstantial copying, and some aspects of fair dealing.

The Board seems to be taking a higher and more balanced road than in the past. It even rejected AC’s claim that a decline in royalties would result in a decline of writers’ output:

[332] Under the hypothetical scenario where creators would cease to receive royalties from Access, 60 per cent of respondents indicated that this would have no impact on the number of works they create, and 23 per cent indicated that they would reduce the number of works they create. Since the majority would continue to produce works even when no royalties are paid, this suggests that Access royalties do not have a strong effect on creator future output.


That said, mostly because of the lengthy but not readily understandable reasons and conclusions concerning “consumables”, the rate is about five times higher than one might have expected and what CMEC had asked for. 

Indeed, governments and taxpayers may notice that this rate is about five times higher than the Provincial Governments rate for 2010-2014 and about 20 times higher than the Governments rate for 2005-2009.

It is exceeding difficult to get findings of fact, especially those involving detailed calculations, overturned on judicial review, unless they are in turn based upon an underlying misunderstanding of the legal principles – as was the case in the SCC Province of Alberta decision.

That said, both sides here have much to be concerned about and judicial review seems quite possible, which could add at least a year and possibly much more to the uncertainty and potential retroactivity depending on the outcome.  Because there is no “cross-appeal” process in judicial review, it would not be surprising if both sides file at the same time – which will be on or before March 21, 2016 by my calculation.

In any case, if CMEC members conclude that whatever tariff the Board has certified or may certify in the future after a rehearing may be safely ignored if there are better and less expensive ways to be copyright compliant because such a tariff is not “mandatory”, either on a going forward or retroactive basis, then many if not all of these issues will become effectively moot for practical purposes. CMEC might still file a judicial review application to keep its options open. It might be content with a tariff in the $0.46 per FTE range.

This particular decision has left both sides apparently unsatisfied. That does not necessarily mean that it was decided with the Wisdom of Solomon. It exemplifies both the positive and problematic aspects of the Copyright Board process. What happens now is uncertain. We may have more insight by the end of the day on Monday, March 21, 2016 if one or both sides seek judicial review.

Broader Implications?

In general terms, the SCC’s ruling on “mandatory tariffs”, the SCC’s recognition of the retroactivity issue and the possibility of recovering money paid in the past under tariffs that become questionable in the light of subsequent jurisprudence (see Rogers slow motion struggle to recover ringtones money paid to SOCAN) add to the uncertainty facing the Board and its stakeholders. All of this may keep a small cadre of lawyers very busy, but it seems that the actual stakeholders on all sides are starting to ask some very fundamental questions and are becoming impatient or simply withdrawing from the process. 


Meanwhile, correction continues to come from the Federal Court of Appeal, for example this decisions just before Christmas on procedural fairness from Justice Nadon in the Netflix case on which I commented.

Unless the Government gets decisive and decides to devise and implement regulations governing the Board, its procedures and its stakeholders, one can expect that these issues will loom large, if not dominate, the 2017 review process.


HPK