Intellectual property law is good. Excess in intellectual property law is not. This blog is about excess in IP and related law. I have practiced law with prestigious firms and successfully acted for interveners in several important Supreme Court cases. I've also been in government & academe. My views are purely personal. Nothing on this blog should be taken as legal advice. I am a policy provocateur and currently not practising law. My email address is hknopf@gmail.com.
The US Copyright Office, to its credit, has recently
launched a
consultation on moral rights, an issue that has struck
fear into American corporate copyright interests for almost a century, since
the concept was embraced in the Berne Convention in 1928. This fear resulted in
a less than convincing accession to the Berne Convention in 1988. The late
Director General of WIPO, Dr. Arpad Bogsch, compromised his once considerable
credibility by turning a blind eye to fact that the USA basically did not
provide adequate, if any, moral rights protection as required by the Berne
Convention. Indeed, a few years later, the USA managed to exempt moral rights from dispute resolution proceedings under the WTO TRIPS agreement. The current
consultation is at least an implicit if not explicit recognition that something
needs to be done.
To date, the only explicit moral rights protection in US law
is for visual artists as a result of a bill championed by the late Senator Edward Kennedy.
Canada has had explicit moral rights protection consistent with the Berne
Convention since 1931. There has been little litigation and little controversy,
and the provisions have been updated as needed. See s. 14 here and s. 28 here.
Controversy and misunderstandings about moral rights
continues unabated. For example, not long ago in 2012 the iconic IPKat blog hosted
this blog by
Mira Rajan, which then blogmeister Jeremy Phillips characterized in prefacing
her rejoinder as having “become more or less instantly one of the most
controversial pieces to appear on the 1709 Blog”. My own take on this
controversy can be found here.
So, it is not altogether surprising that there continues to
be misunderstandings about moral rights, even on the part of some who one would
expect to be better informed and more pro-creator. For example, I am surprised
and disappointed to see the Electronic Freedom Foundation (“EFF”) opposing moral
rightsreform in the USA and stating bluntly that
“Importing new moral rights would undermine settled law to the detriment of the
public and with little corresponding benefit to authors.” Here’s the EFF’s
website posting entitled “EFF Says No to So-Called “Moral Rights” Copyright
Expansion”.
Likewise, Public Knowledge (“PK”) states
that “We are concerned that extending additional statutory protection to
include rights of attribution and integrity would be difficult to define with
sufficient precision and predictability, and may have little benefit.”
EFF and PK – which are both normally defenders of balanced, principled
and well-informed advocacy about copyright – find themselves here in apparent substantial
agreement with the Motion Picture Association of America (“MPAA”) which states
that:
Granting creative contributors statutory rights of
attribution and integrity vis à vis the
producer of a motion picture risks undercutting the ability of that producer to
distribute the work in the way it finds most desirable; threatens conflict with
fundamental principles of copyright law (including the work for hire doctrine)
that have well served all players in the motion
picture ecosystem; and would potentially violate the First Amendment rights of
producers, artists, and third parties who wish to make lawful use of others’
works. For these reasons, among others, the MPAA believes new legislation in this
area is ill-advised.
A very sensible and much better researched position on moral
rights comes, not surprisingly, from the Authors’ Alliance led by Pam Samuelson
which reiterates its position that:
The law should recognize the right of authors to be acknowledged as
creators of our
works. This is especially important for those of us who create in order
to contribute to
knowledge and culture. Attribution serves not only our interests as
authors, but also the reading public’s interest in knowing whose works they are
consuming and society’s
interest in an accurate record of the intellectual heritage of
humankind.
Politics often makes strange bedfellows. Other comments submitted by the initial deadline
of March 30, 2017 can be found here. There are surprisingly
only 42 submissions, perhaps reflecting cynicism about the difficulty of
progress, confirmed by the fact that the EFF and PK on the one hand are in
agreement with the MPAA. The deadline for commenting on these submissions is
May 15, 2017.
One hopes that Americans will eventually realize that, when
it comes to moral rights, they should do the right thing and that “the only thing we have to fear is...fear itself”.
I can now report that neither side in the Access Copyright K-12 tariff matter that was the subject of judicial review by the Federal Court of Appeal ("FCA") has sought leave to appeal to the Supreme Court of Canada. The deadline was yesterday.
Does this mean "The End" for the matters that were at stake, most notably substantiality, repertoire, fair dealing and the burden of proof re fair dealing?
Another shoe has yet to drop in the Access Copyright Provincial Tariff case, which was heard several months earlier in the FCA. For reasons which remain unexplained, that case - which involved several similar issues - was heard by a different panel, even though the issues overlapped and the counsel were the same on both sides of both cases. So, it is possible, in principle, that we could see diverging views from the FCA. That would be interesting.
And we wait and wait for the Copyright Board to rule on the effectively unopposed Access Copyright Post-Secondary tariff file, which as been ongoing since 2010 and in which the effectively unopposed hearing concluded in January, 2016.
Of course, we still await Justice Phelan's ruling on Phase I of Access Copyright's litigation against York University (oral arguments completed in June, 2016) - in which York's fair dealing guidelines were put on trial.
"The End"?
I don't think so...
HPK
PS: The following is my post from February 1, 2017 which originally appeared here
***************
On March 15, 2016 I initially wrote about the
Copyright Board’s decision on the Access Copyright K-12 tariff here.
On April 14, 2016I further wrote
regarding the Copyright Board’s K-12 tariff decision as follows:
Not
surprisingly, Access Copyright (“AC”) is pursuing judicial review (“JR”, or an
“appeal” in layperson’s terminology). Except for the surprising outcome that
would potentially give it almost $10 million per annum based almost solely on
the reproduction of “consumables” (assuming all school boards actually decide
to pay – which is very doubtful - see below), AC lost badly on just about every
other conceivable aspect – including some very important ones such as fair
dealing, insubstantial copying, and its agency by ratification argument, about
which the Board has effectively, even if belatedly, done a 180 degree turn
around. Here is AC’s comparatively fulsome JR Notice
of Application.
Somewhat
surprisingly in view of the arguably much too high FTE rate of $2.46, CMEC [the
“Consortium”], which represents school boards outside of Quebec, is not seeking
JR. For those interested in Federal Court of Appeal procedure, there is no such
thing as “cross” judicial review. Each party needs to launch its own JR on or
before the 30 day deadline. In this case, only AC did so. CMEC (Council of
Ministers of Education, Canada) will no doubt ably defend AC’s JR but has not
commenced its own, perhaps for the reasons I speculate about below.
[10]
I have regrouped the issues raised by Access under the following headings:
A.
Repertoire
(1)
Did the Board err in ignoring expert evidence provided by Access to correct and
clarify the breadth of its repertoire as described in the volume study?
(2)
Did the Board err in restricting the “substantiality” (term used by the
parties) of compensable exposure under section 3 of the Act?
B.
Fair Dealing
(1)
Did the Board err in its application of the burden of proof?
(2)
Did the Board breach its duty to act fairly?
(3)
Was the Board’s methodology unreasonable and did it err in assessing the
relevant factors?
A.
Repertoire
(1)
Did the Board err in ignoring expert evidence provided by Access to correct and
clarify the breadth of its repertoire as described in the volume study?
In a nutshell the bottom line of this 35-page
decision is as follows:
-AC scored a minor legal point
but a potentially commercially significant point by convincing the FCA that the
Board essentially ignored certain evidence as to its repertoire. The FCA states
that:
[19] It is not disputed that
if Circum’s calculations had been accepted, this would represent a sizeable
increase in the royalties to be paid to Access, which it estimates to represent
approximately $500,000.00 per year, or $3 million dollars over the two tariff
periods. Before us, the Consortium did not offer any other estimate of the
potential impact of these coding errors, saying that it would have to review
the validity of Access’ calculations should the matter be reconsidered by the
Board as its experts had not yet had the opportunity to comment on Access’
calculations.
….
[22] Although
the Consortium argued that this finding was based on the weight given to the
evidence by the Board, a matter with which this Court should not lightly
intervene, it is difficult
to conclude anything other than that the Board, through oversight, overlooked
the expert evidence and submissions it accepted as exhibits AC-114 and
AC-114A on December 5, 2014.
[23] The Board’s
clear wording that Access provided no evidence rebuts the presumption that a
decision-maker has considered all the evidence before it.
[24] There is no
ambiguity in the reasons expressed at paragraph 405 of the Board’s Reasons
reproduced above. The
Board failed to consider that expert evidence had been filed to estimate the
degree of the underestimation, that Access had chosen to correct the
underestimation and that it explained in detail why it had not done so before.
Access’ statement that the corrections proposed by its expert did not result
from an expansion of Access’ repertoire in the years subsequent to the data
collected in the 2005-2006 volume study was not challenged before us. Thus, the Board’s refusal to
consider whether the repertoire was underestimated is unreasonable.
(highlight added)
On virtually all other issues as defined by the FCA,
CMEC prevailed, although not necessarily for all the reasons that it may have
wished.
The FCA supported the Board’s decision “that it could not rely on the Guidelines for the
purpose of setting the royalty rates (Reasons at paras. 233-234). “. These were
the guidelines propounded in Wanda Noel’s booklet Copyright Matters!.
[58] The Consortium chose to present its case using
two different approaches. First, the Consortium presented evidence in respect
of guidelines issued in 2012 (see Copyright Matters! Some Key Questions &
Answers for Teachers, 3rd ed., Respondents’ Record [RR], Vol. 1 at Tab 4) (the
Guidelines)), and the fact that they had been widely distributed to K-12 school
teachers. This was presented as evidence of a general practice of the type
referred to at paragraph 63 of CCH. The Consortium argued that any copy made following those Guidelines
would necessarily be fair (presumably these would only be relevant for the period
covered by the Second Tariff). Ultimately, the Board found that it could
not rely on the Guidelines for the purpose of setting the royalty rates
(Reasons at paras. 233-234).
[59] Although both parties were clearly disappointed
by the fact that the Board did not offer any detailed comments on their
evidence relating to those Guidelines, Access did not challenge this finding,
which was based on its assessment of the weight of the evidence. This was a
wise decision, for indeed, the Board’s conclusion was clearly open to it on the
evidentiary record.
[60] Access argued extensively in its memorandum (not at the hearing or in
its outline of oral argument) that the Board was wrong to discard the
Guidelines as they were the best evidence of the behaviour to be assessed to
determine the issue of fairness. This resulted, according to Access, in the
rejection of what Access believed was the Consortium’s better case. Yet, in my
view, Access does not indicate how the Board’s actions on this point render its
analysis unreasonable.
[61] That said, contrary to Access’ submissions, the
Guidelines were not the only evidence tendered by the Consortium to meet the
second part of the CCH test
(i.e. weighing the fairness factors).
[62] It is apparent from a review of the expert report
filed by the Consortium (RR, Vol. 2 at Tab 17) that the Consortium did present
a second approach based on an evaluation of the CCH factors. I note that the Consortium’s experts even offered
alternative calculations, for example, in respect of “the amount of the
dealing” factor, although it assumed based on the instructions received, that
reproduction of 10% or less of a book would be considered fair, the said
experts also calculated the impact of the Board’s finding that only the
reproduction of 7%, 5%, 3% or 1% of each work would be fair (RR, Vol. 2, Tab 17
at 438).
[63] Access had, for its part and as mentioned,
marshalled evidence in respect of the sixth factor given that in its view, this
factor militated towards finding that the dealing was not fair because of the
considerable effect that copying had on the market for those works. Its expert
had also calculated what would be fair by using and adjusting the Board’s
previous calculations in 2009 to account for what it considered fair based on Alberta (Applicant’s Record [AR],
Vol. 1, Tab I at 887-889). Access had also taken the position that the
Guidelines were flawed and indeed promoted unfairness (Reasons at para. 231).
In its view, the Board could only deduct the exposures that Access had conceded
met the fairness test.
(highlight
added)
For convenience, here are paras 233 and 234 of
the Board decision discussing the Guidelines:
[233] However, in this matter, the parties have asked the Board to treat
the Volume Study as representative. Thus, on one hand, the Board is being asked to consider the effect of
the Guidelines on the copying behaviour of the Objectors, and on the other hand,
to evaluate the copying captured by the Study. These two approaches are not
readily reconcilable. If the Guidelines have modified the copying behaviour of
the Objectors, then the Volume Study is no longer representative. If the Volume
Study is representative, then the introduction of the Guidelines has not had a
pronounced effect on the copying behaviour of the Objectors.
[234] Much of the evidence presented by the Objectors related to only
certain schools or school boards. Evidence showed that while the Guidelines may
have been distributed, and may even be known by, teachers and other persons
that make copies of published works, there was insufficient evidence of the
extent of the compliance with those Guidelines. Indeed, cross-examination of
Objectors’ witnesses showed that there was little or any emphasis on monitoring
and compliance with the Guidelines.147 As such, we cannot conclude that there is a generally uniform
practice among all the elementary schools, secondary schools and school boards
that can be evaluated for fairness in the manner contemplated in CCH.
(highlight
added)
So, for better or for worse, we still have no
explicit commentary on the substance of the Guidelines from either the
Copyright Board or the Federal Court of Appeal. These are essentially the same
Guidelines that are now, for better or worse, “on trial” in the Federal Court
in the York University litigation. I have written extensively about whether
letting the York Fair Dealing Guidelines be put on trial could have been
avoided. We will likely know soon enough what Justice Phelan thinks about these
guidelines when his decision on Phase I of that monumentally complex litigation
that might have been greatly simplified is released. The final arguments in the Phase I hearing took place on June
22-24, 2016.
Here are some other observation on the FCA
decision, which is complicated, lengthy and important and which no doubt requires
much more detailed scrutiny by university counsel and the library community
that is increasingly becoming involved in copyright issues.
Concerning “substantiality”, there was a
discussion of the Supreme Court’s decision in CINAR and the FCA’s acceptance
that the burden of proof was on AC to establish that copying was “substantial”
in order to be eligible for payment. All of this is in the context of the very
problematic volume study relied on by both sides, which was
undertaken a year of so after CCH but which failed to take that decision
adequately into account.
[37] I have not been persuaded by Access that the
Board ignored any evidence produced by Access. Indeed, the Board considered it
and found that it did not provide a reasonable basis to assess the qualitative
nature of the thousands of copying excerpts at issue.
[38] That said, the Board had a couple of options. First, if it had applied
the approach proposed by Access in respect of the Consortium’s burden of proof
under the fair dealing analysis (see paragraph 81 below), the Board could have
concluded that Access had not established that the exposures reported in the
volume study amounted to reproduction of “a substantial part of the books” in
its repertoire (this is the only genre in respect of which the finding of the
Board is contested) given the lack of probative evidence produced by Access in
this respect. Second, and what the Board chose to do, was to determine that
because it did not have the benefit of a qualitative analysis applicable to the
majority of cases, it was reasonable in the particular circumstances of the
matter before it (fulfilling its statutory mandate to set a tariff where the
parties only presented evidence on an aggregate basis) to infer that the
copying of one or two pages from a book was not qualitatively substantial. This
approach resulted in a smaller volume of copying being classified as
non-substantial than if a threshold of 1% of each such work was adopted
(Reasons at paras. 226-227).
[39] It is the task of a tribunal or trial court to
fulfil its mandate, despite the paucity or quality of the evidence before them.
Such decision-makers must determine if they are satisfied that a certain
question of fact has been established. This task is at the very core of the
expertise of tribunals such as the Board. Inferences, like findings of facts,
are owed considerable deference.
[40] In my view, in the particular circumstances of
this case, and considering the mandate of the Board under the Act, it was not
unreasonable for the Board to infer that the copying of one or two pages of a
book did not constitute reproduction of a “substantial part of the work” within
the meaning of section 3 of the Act. It should be clear however that, in my view, such an inference would
rarely be within the range of acceptable outcomes when there is evidence
produced about each work at issue and would normally constitute an overriding
and palpable error in the context of civil litigation proceedings where
infringement is at issue.
[41] Finally, I note that considering the application
of fair dealing and of section 29.4 of the Act to the exposures, most of the so
called “non-substantial copying” in respect of books would have been deducted
anyway from the compensable exposures (see tables 24 and 25 of Appendix A to
the Reasons).
(Highlight
added)
It is clear that the Board made many of its
findings based upon “impression” and “inference”, simply because there was
inadequate evidence both in terms of data and expert testimony to fully analyse
the thousands of copying events recorded back in 2005 in a flawed survey. The
highlighted passage above makes is clear that the FCA would frown on such an approach
in “civil litigation proceedings where infringement is at issue.”
It is also interesting that the Court suggests
at para. 38 that the Board “could have concluded that Access had not established that
the exposures reported in the volume study amounted to reproduction of “a
substantial part of the books” in its repertoire (this is the only genre in
respect of which the finding of the Board is contested) given the lack of
probative evidence produced by Access in this respect.”
The Board instead chose “to infer that the copying of one or two
pages from a book was not qualitatively substantial.” This
would seem to suggest that AC was indeed very lucky to get anything, based upon
the problems with its evidence and its burden of proof on this issue.
On fair dealing, there is lengthy
and useful analysis from the Court. However, one paragraph merits comment
because it may be seized upon by those eager to repeal “fair dealing” to some
extent.
[45] In Alberta,
the Supreme Court focused on fair-dealing for the purpose of private study. The
Court had to deal with the viewpoint from which fair dealing for this purpose
is to be assessed – the teacher or the student, particularly when multiple
copies are made for one or more classes. Shortly thereafter, the Act was
amended to include “education” as another purpose in respect of which users
could rely on section 29 of the Act. In my view, this addition removed the dichotomy between teachers’ or
students’ viewpoints under the section 29 analysis, when education is the
relevant purpose.
(highlight added)
With respect, I believe that the
“dichotomy between teacher’s or students’ viewpoints” was resolved in paras. 42
to 45 the Province of Alberta decision of the Supreme Court of Canada under the law
in place before s. 29 was amended. In this respect, the SCC had accepted
arguments on this point that I made along with Prof. Ariel Katz and his
institute at U. of T.
There are extensive comments that
will encourage the educational community about how the Board was right in not
relying solely on the “aggregate volume of pages copied or otherwise”. In fact,
the Court states at para. 93 that “I find no reviewable error on the part of
the Board in this respect. In fact, this finding is reasonable even if one were
to consider that the overall number of copies represents approximately 90 pages
per student per year.”
The FCA also supported the Board’s
finding that the declining book sales could be caused by such factors as “open
educational resources movement, digital sharing and the general emergence of
new technologies” (para. 98)
This is an important decision that
comes at an interesting time. We can only speculate as to if and how it may, or
may not, affect the following pending decisions, which have been argued and
which are under reserve as I have previously noted:
-AC Provincial Government
tariff, which was heard on June 20, 2016 by the Federal Court of Appeal, in
which fair dealing and non-substantial copying were also major issues. For
reasons which are not apparent, these cases were heard by different panels on
different dates. So, it will be interesting to see whether the Provincial
Government case – which was heard several months before the current case – will
be consistent with the current decision.
-decision from the Copyright
Board in the AC Post-Secondary tariff case, from which the interim tariff that
gave rise to the York University litigation arose. This case, which began in
2010, was finally heard by the Copyright Board in January of 2016. For all
practical purposes, it was a default proceeding. The Copyright Board
“ordinarily” and, indeed, often takes two years or more to render decisions – a
delay that is unusual by any measure. So, a decision in 2017 – while certainly
reasonably to be expected – cannot be assured unless the new Chairman is able
to change the way the Board has worked for very many years.
-The AC v. York University
litigation, in which York’s fair dealing guidelines are very similar to those
that were in issue – but which escaped detailed comment – in the K-12 Board
decision and the current FCA decision.
It will be interesting to see
whether AC seeks leave to appeal the current decision to the Supreme Court of Canada.
It has 60 days to do so, i.e. until Tuesday, March 28, 2017. If the “other” case
involving the Provincial Governments tariff does not come down in the meantime,
or comes down within that time in manner that is notably inconsistent with the
current decision, such a leave application would not be surprising. However, if
the FCA’s ruling in the Provincial Government case, whenever it is released, is
reasonably consistent with the current ruling, it would seem that a successful
application for leave to appeal would be a long shot for AC in either case in
all the circumstances.
Hanging over all of this, of
course, is the question of whether Copyright Board tariffs are “mandatory”. One
would have thought that the Supreme Court of Canada clearly indicated in CBC v.
SODRAC that they are not, a subject that I have written
about extensively here and elsewhere. (I successful argued the issue in the Supreme
Court of Canada on behalf of Ariel Katz and David Lametti’s Centre at McGill). However,
just like the CCH decision in 2004, it seems that it is taking a very long time
for the good news to sink in and be understood by those who stand to benefit.
It’s therefore nothing if not
ironic that AC is once again trying to reinvent the wheel. It recently sent out
this message to its affiliates, which I am one:
We could use your help. Our innovation team is aiming to
re-invent Access Copyright’s offerings for universities and colleges and needs
help finding students and professors willing to sit for 1-hour research
interviews on the topic of content use and technology.
I may have more to say about this
invitation later. However, in the meantime certain things would seem obvious if
AC wishes to survive. How about, for example, for starters:
-Offering easy and
inexpensive transactional licenses online for repertoire for which it actually has a
chain of title?
-Not purporting to
license repertoire for which it claims title only on the basis of “implied
agency” or any other dubious or discredited theory?
-Not purporting to license
the public domain, or to “sell the Brooklyn Bridge”, as I have suggested?
-Offering a clearly
non-mandatory but enticing blanket license at really low cost for a really
large repertoire with really generous terms of use that would make it efficient
and inviting for schools, colleges and universities to consider?
Here are the
latest docket entries for T-2090-14 from the Federal Court dealing with the litany of
litigation totaling 13 lawsuits against the Federal Government or its agencies.
Reading this and the suggestion by iPolitics quoted recently by me here, it would seem to appear that Blacklock’s wants to
stay all of these lawsuits other than T-117-17 Blacklock’s v. Attorney General
of Canada re Health Canada for $90,100.55 + punitive damages of $25,000.
Doc
Date
Filed
Office
Recorded
Entry Summary
33
2017-03-09
Ottawa
Order
dated 09-MAR-2017 rendered by Mireille Tabib, Prothonotary Matter considered
with personal appearance The Court's decision is with regard to Case
Management Conference Result: 1. The Plaintiff shall, no later than March 21, 2017, serve and file a
motion record on any motion to stay any or all of the related actions in
favour of another. A single motion record, in three copies, may be
filed in respect of all of the related actions to which it relates. Such
motion record is to be filed in Court file T-2090-14, and shall bear the
style of cause and file numbers of all actions to which it relates. 2. The
responding motion record of the Attorney General shall be served and filed no
later than April 4, 2017. The
Attorney General¿s motion record may contain a cross-motion for alternate
remedies, and may likewise be filed as a single record for all relevant
actions, in three copies, in Court file T-2090-14. 3. The Plaintiff
maye serve and file a responding motion record to the cross-motion(s), by
April 18, 2017. The Plaintiff may address all cross-motion(s) of the Attorney
General in a single record, to be filed in T-2090-14, in three copies. 4. The motion for a stay will be
heard in Ottawa beginning at 9:30 a.m. on May 2, 2017 for a duration not
exceeding three hours. Filed on 09-MAR-2017 certified copies sent to
parties Transmittal Letters placed on file. entered in J. & O. Book,
volume 1328 page(s) 259 - 260 Interlocutory Decision
-
2017-03-06
Ottawa
Ottawa
06-MAR-2017 BEFORE Mireille Tabib, Prothonotary Language: E Before the Court:
Case Management Conference Result of Hearing: An Order will issue;
T-117-17/T-132-17/T-133-17/T-134-17 will be added as related newly case
managed files held in chambers by way of Conference Call Duration per day:
06-MAR-2017 from 10:00 to 11:10 Courtroom : Judge's Chambers - Ottawa Court
Registrar: Christen Clement Total Duration: 1h10min Appearances: Yavar Hameed
613-627-2974 representing Plaintiff Alex Kaufman & Sarah Sherhols
613-670-6294 representing Defendant Andrea Pitts 613-787-3576 representing
Defendant Allan Matte 819-994-2226 representing Defendant Ariel Thomas
613-696-6879 representing Defendant Comments: The following files were all
heard together: T-2090-14/T-269-15/T-477-15/
T-745-15/T-897-15/T-1085-15/T-1234-15/T-1726-15/T-1862-15/T-2042-16 Minutes
were taken in T-2090-14 only. Minutes of Hearing entered in Vol. 971 page(s)
80 - 90 Abstract of Hearing placed on file
(highlight added)
Interestingly,
Blacklock’s had previously unsuccessfully appealed an order of March 3, 2016 by Mme Prothonotary
Tabib imposing a stay on nine of the ten
actions at the time against the Federal Government or its agencies about a year
ago.
Now Blacklock’s seems to want
to call time out – apparently on all but one of its now baker’s dozen of such cases.
It’s unusual to start and then seek to stay one’s own action. Indeed, the Federal
Court generally pushes these things along according to the clear timelines set
out in the Rules, which can be adjusted as appropriate by the efficient case
management practices of the case management judges, in this instance Mme
Prothonotary Tabib. The days of long, leisurely and frequent adjournments and
delays in civil litigation are long over. An action that has been started and
stayed can still run up costs for a defendant – and may, whether rightly or
wrongly, put pressure on a party to settle the litigation.
Blacklock’s has lost virtually
every important procedural and substantive battle to date in the Federal Court.
Its Small Claims Court victory is of essentially
no legal consequence. Blacklock’s is also appealing the $65,000 costs order
from its major loss in the first Federal Court case to go to trial. As I have said,
such appeals are rarely successful. Has
Blacklock’s bitten off more than it can chew?
On the other hand, will
the Federal Government and its agencies – many but not all of which are being
represented by the same counsel at the Department of Justice – want to fight
several cases at once, despite having far more resources than Blacklock’s? Are there common issues than can be dealt
with early in a way that might best serve judicial economy, Canadian taxpayers
and, indeed, Blacklock’s itself? It will be interesting to see how the
Government responds to Blacklock’s apparent new strategy of start, stay and
delay in its litany of litigation.
In the first month of 2017, Blacklock’s has commenced four more actions
in the Federal Court against the Federal Government or an agency thereof. These
are as follows:
Concerning the first Health Canada action, iPolitics says in the publicly
posted intro to a paywalled
article (to which I do not have access):
Blacklock’s Reporter is not backing down from
its decision to aggressively sue multiple federal departments and agencies for
copyright infringement — even after it lost a case against the Department of
Finance late last year.
In a case that recently moved from Ontario
Superior Court to the Federal Court of Canada, Blacklock’s Reporter — a
subscription-based, online news outlet — is suing Health Canada for more than
$115,000 for “the unauthorized use, distribution, and third party
dissemination” of its paywalled content, and/or breach of contract.
An earlier action T-2042-16
filed on November 28, 2016 on which I reported here along
with the older actions are under case management and the newer ones will also
presumably be under the ever very efficient case management of Prothonotary
Mireille Tabib. A case management conference is scheduled for March 6, 2017. See here.
I will not comment specifically at this time on any of the
allegations in these various actions, none of which have been proven in Court. That
said, it does appear that each of these actions apparently allege somewhat
different facts from the previously decided Federal Court case. However,
Blacklock’s suffered a resounding defeat in the first case that was tried in
the Federal Court on the basis of an "obviously" and clearly correctly applicable fair
dealing defence asserted by the Government.
[45] Blacklock’s maintains that this
case challenges the viability of its business model including its right to
protect news copy behind a subscription-based paywall. The suggestion that Blacklock’s
business cannot survive in the face of the minor and discrete use that took
place here is essentially an admission that the market places little value on
Blacklock’s work-product. All subscription-based news agencies
suffer from work-product leakage. But to customers who value easy, timely and
unfettered access to news that may not be readily available from other sources,
the price of a subscription is worth paying. It also goes without saying that whatever business model
Blacklock’s employs it is always subject to the fair dealing rights of third
parties. To put it another way, Blacklock’s is not entitled to
special treatment because its financial interests may be adversely affected by
the fair use of its material. Nothing in these reasons should however be taken
as an endorsement of arguably blameworthy conduct in the form of unlawful
technological breaches of a paywall, misuse of passwords or the widespread
exploitation of copyrighted material to obtain a commercial or business
advantage.
(highlight and
underline added)
It is important
to recall that Blacklock’s has chosen not to appeal that original judgment. Interestingly,
however, Blacklock’s instead chose to appeal the $65,000 costs award in which
Judge Barnes stated:
[7] …I also reject the Plaintiff's argument that this case raised
"strong public interest considerations". Rather, this case was about
the Plaintiff's attempt to
recover disproportionate damages without any apparent consideration to the
legal merits of the claim or to the costs that it imposed on the taxpayers of
Canada.
[8] Any reporter
with the barest understanding of copyright law could not have reasonably
concluded that the Department's limited use of the subject news articles
represented a copyright infringement. Indeed, the fair dealing protection
afforded by section 29 of the Copyright Act, RSC, 1985, c C-42, is so obviously
applicable to the acknowledged facts of this case that the litigation should
never have been commenced let alone carried to trial.
[9] I am also troubled
by Plaintiff's attempt to claim an
excessive amount of damages beginning with its demand for compensation
completely divorced from the Department's limited use of the two articles.
In no circumstances would Blacklock's losses have exceeded the cost of
individual subscriptions by the six officials who read the articles; yet
Blacklock's demanded a license fee equivalent to its bulk subscription rate of
over $17,000.00. This practice appears to be
consistent with Blacklock's usual approach which is to hunt down, by Access to
Information requests, alleged infringers and then demand compensation based on
an unwarranted and self-serving assertion of indiscriminate and wide-spread
infringement.
The record discloses that in several instances government departments
acquiesced for business reasons and paid the full amounts demanded. In this
instance the Department appropriately took a hard line and succeeded in its
defence.
(highlight added and
emphasis added)
Costs judgments are normally very difficult to appeal successfully. The $65,000 award in this instance flows
directly from the normal “mid-point of Column
III” approach as explained by Justice Barnes in paragraph 6 of the costs judgment. The Government was also able to benefit from
the “double costs” rule because of “the failure by the Plaintiff to
accept an early settlement offer in the amount of $2,000.00” (para. 4).Costs
decisions by judges are “quintessentially discretionary” and are rarely set
aside on appeal.
Blacklock’s tenacity is nothing if not noteworthy. It has 13 actions pending against the Federal
Government or its agencies, not to mention the appeal of its costs order in its
unsuccessful original case against the Department of Finance.
[22] To resolve
this matter I need only decide whether the conduct Blacklock's impugns is protected under the fair dealing provisions
of the Act and, in particular, section 29. Although there are certainly some troubling aspects
to Blacklock's business practices it is unnecessary to resolve the
Attorney General's allegation that this litigation constitutes a form of
copyright abuse by a copyright troll.
(highlight and underline added)
It will be interesting to see whether, and if
so how, the Government deals with the “abuse” issue as this “litany of litigation” continues
and unfolds and how the Court, in turn, may deal with it. In any event, the "obviously applicable" defence of fair dealing will presumably be in issue in each case and the
Government will no doubt rely on Justice Barnes’ very solid decision.
Even if Blacklock’s is somehow able to establish
copyright infringement in a particular factual situation, it remains to be seen
what quantum of damages it might be awarded. Without commenting on the Blacklock’s litigation,
it is useful to remind readers that Canadian courts, unlike some American courts
with juries, are very reluctant to award copyright damages that bear little or
no relation to actual damages. Indeed, some significant checks and balances are
hard-wired into the damages regime in the Canadian Copyright Act and solidly
backed up by case law that prevent it from being used to obtain
disproportionate damage awards that bear no relationship to actual damages
suffered by the plaintiff or profits, if any, made by the defendant. Where a
plaintiff elects to pursue statutory minimum damages rather than to prove
actual damages, the case law is clear that the Court will still insist that there must be some correlation or relationship between
actual damages and statutory damages. Moreover, since 2012, there has been a
provision that limits statutory minimum damages to “a sum of not less than $100 and
not more than $5,000 that the court considers just, with respect to all
infringements involved in the proceedings for all works or other
subject-matter, if the infringements are for non-commercial purposes.”
(highlight added)
Speaking generally of damages in copyright cases, it is always
timely and increasingly important in light of recent case law to remind readers
that “success” in copyright litigation in Canada does not necessarily lead to a
pot of gold and can indeed backfire and become a very expensive pyrrhic victory.
Perhaps the most notorious pyrrhic victory in Canadian copyright litigation
was what I have called “A Cautionary
Tale of Costly Copyright Litigation Consequences: How to Win a Little and Lose
a Lot”. This was the relatively recent case of Leuthold
v. CBC. As I summarized
about this case,‘Leuthold is an American photographer whose
9/11 images were used by the CBC, by way of an “honest mistake”, six times more
than permitted by the original one-time license for which she was paid $2,500.
She refused a settlement offer of $37,500 and went to trial, where she was
awarded $19,200 ($3,200 times six) plus $168.73 as her portion of CBC’s “profits”’.
I make no comment on
whether the Leuthold case would be applicable to any of Blacklock’s cases in
any particular respect. Rather, I
mention Leuthold’s case because it is the ultimate cautionary tale for every
copyright claimant in Canada who may have expectations of substantial damages
where actual damages cannot be calculated in a reliable manner or may actually be
quite low by any reasonable measure. Thus, even a technical victory in a
copyright case can be a costly proposition in Canada – especially if the
defendant is savvy about the use of the settlement offer mechanism in the
Federal Courts Rules. But even without successful recourse by a defendant to
the “double costs” implications of a strategic settlement offer, it can
obviously still be a pyrrhic victory if a plaintiff ends up spending far more
in legal fees than the court awards in damages, and the normal costs award that
may follow is insufficient to make the litigation cost effective. Needless to
say, these various factors may discourage contingency fee arrangements in
copyright cases, even when the cause of action seems solid but the potential damages
may be modest. For better or worse, the calculus of costs is becoming
increasingly important for all concerned with copyright litigation, and indeed
all litigation.
Unlike the American system
with its $150,000 per work statutory damages limit for copyright infringement and
sometimes apparently absurd jury awards(e.g. $1.92
million for infringing 24 songs), Canadian courts are very
measured and cautious about damages in copyright cases. There are no juries and
no pots of gold in Canadian copyright litigation.
Concerning the issue of costs, the Federal Court of Appeal in the
Leuthold case provided what I then characterized as “some cautionary language
for those who may contemplate high risk litigation” from Justice Denis
Pelletier:
[13] Finally,
Ms. Leuthold argues that an order of costs ought not to be such as to bring the
administration of justice into disrepute. Once again, this is an argument based
on impecuniosity. The sad fact of the matter is that litigation produces
winners and losers; that is why it is such a blunt tool in the administration
of justice. But justice is
not served by allowing persons who have imposed costs on others by pursuing or
defending a claim which lacks merit to avoid the consequences of their
behaviour.
Such a policy would be more likely to bring the administration of justice into
disrepute than the result in this case.
(emphasis
added)
Blacklock’s’ resounding initial defeat on the fair dealing issue in
Justice Barnes’ careful and convincing judgment (not appealed) and the
resulting $65,000 costs award (which is being appealed) together with the
Government’s clear and able determination to fight back and its success to date
may be of interest to all Blacklock’s copyright litigation defendants,
including those outside the Government, who may be considering with their
counsel their next steps, such as whether or not to settle or to continue to
fight back and to utilize strategic settlement offers.
I will endeavor to update after the case management conference on
March 6, 2017 or sooner if events warrant.