Wednesday, November 19, 2008

Irving Brecher 1914-2008 - Writer and Fighter

A great behind the scenes figure in American film and TV has died at the age of 94. According to the New York Times:

Irving Brecher was born in the Bronx on Jan. 17, 1914, and he grew up in Yonkers. At 19, after a brief stint covering high school sports for a local newspaper, he took a job as an usher and ticket taker at a Manhattan movie theater, where he learned from a critic for Variety that he could earn money writing jokes for comedians. Knowing of Milton Berle’s reputation as joke-pilferer, he placed an ad in Variety, reading, in part: “Positively Berle-proof gags. So bad not even Milton will steal them.”
He worked with Groucho Marx, Milton Berle, Judy Garland and many other legendary figures.

Brecher was a fighter for writers, and was active even at the age of 93 in the writers' strike of 2007.

This is the kind of person that the copyright system needs to protect. The American system is amongst the worst in the world in this respect, with its notorious "work for hire" doctrine that essentially deprives many creators in the film and television industry of their full copyright entitlement by deeming the employer, and not the employee, to be the author - even if that person is a freelancer. Naturally, most writers in Hollywood, New York and elsewhere in the USA don't have the bargaining clout to get past the definition of "work for hire" in Section 101 of the US Act.

A few years ago, the RIAA succeeded in sneaking though an amendment that would have dragged sound recordings into this definition. According to a 2000 Salon aricle:

Last November, acting at the RIAA's request, Mitch Glazier, then chief counsel for Congress' copyright subcommittee, inserted the "sound recording" amendment to an unrelated bill. (The bill in question, the Satellite Home Viewer Improvement Act, had been green-lighted for safe passage through Congress.) The change effectively made all new commercial cassettes and CDs -- from Britney Spears to Slipknot, from Eminem to Andrea Bocelli -- a new category qualifying as work for hire.

No hearings were held, no public debate took place and no member of Congress sponsored the act. Glazier, who now works for the RIAA, consulted only a handful of congressional assistants last fall. He was able to make the change because he explained the alteration was non-controversial and technical in nature.

The the credit of the American system, but not the RIAA, the amendment was quickly repealed when people found out what had happened.

But back to Mr. Brecher. A fascinating figure from a bygone and much more creative era has passed away. May his memory be a blessing.

HK

Tuesday, November 18, 2008

The Politics of Antitrust Enforcement

The respected journalist and commentator Declan McCullagh has a provocative piece in CNET today about Microsoft's role in the non-deal between between Google and Yahoo, as well as some of the ironic politics involved and some prognostications for the post Bush era.

HK

Friday, November 14, 2008

Thursday, November 13, 2008

Judge Patel on Copyright

Judge Marilyn Hall Patel, who is the American judge who shut down the original Napster, and who is very highly respected has just given an important talk at Fordham on November 10, 2008 in the prestigious Brace Lecture series.

She proposes a very utopian grand compulsory licensing scheme that would entail a "new public/private organization with authority over the licensing and enforcement of copyright."

Here's a report in Wired.

HK

Tuesday, November 11, 2008

Update on Getty Images

Getty Images is still threatening people, so it seems from comments that continue to come in on my earlier posting on Watching Getty Images Watching Canadians.

Here's an update to November 11, 2008.

To date, Getty Images has still launched only one copyright infringement action in the Federal Court in Canada, according to the Federal Court’s website as of November 11, 2008. That was on March 28, 2008. It is possible that it has sued in one or more provincial courts, but this would not make a lot of sense if it is planning a cookie cutter approach.

Masterfile, another stock photo company, has filed several actions in the Federal Court, many of them discontinued, which suggests that there may have been a settlement in such instances. I haven’t actually looked at any of the files, since details are not available online. Masterfile filed several statements of claim on January 22, 2008. As of November 11, 2008 there is nothing more recent on the Federal Court website.

An American law firm has posted a couple of comments on my blog looking for business from recipients of letters from Getty.

I have taken these posts down because Canadians may not be aware that an American law firm cannot act for them in a Canadian court. Furthermore, Canadian and American copyright law differ in many respects.

Canadians who are looking for advice should contact David Fewer at the wonderful Samuelson-Glushko Canadian Internet Policy and Public Interest Clinic (“CIPPIC”) at the University of Ottawa

His phone number is 613-562-5800 ext. 2558.

Canadians should be aware of the provisions regarding statutory minimum damages. These can range as high as $20,000 per infringed image. But more importantly, a judge can lower the amount to as little as $200 per infringed image, or even less if there are multiple images involved. Here’s the provision in the Copyright Act:

Statutory damages


38.1 (1) Subject to this section, a copyright owner may elect, at any time before final judgment is rendered, to recover, instead of damages and profits referred to in subsection 35(1), an award of statutory damages for all infringements involved in the proceedings, with respect to any one work or other subject-matter, for which any one infringer is liable individually, or for which any two or more infringers are liable jointly and severally, in a sum of not less than $500 or more than $20,000 as the court considers just.


Where defendant unaware of infringement


(2) Where a copyright owner has made an election under subsection (1) and the defendant satisfies the court that the defendant was not aware and had no reasonable grounds to believe that the defendant had infringed copyright, the court may reduce the amount of the award to less than $500, but not less than $200.


Special case


(3) Where


(a) there is more than one work or other subject-matter in a single medium, and


(b) the awarding of even the minimum amount referred to in subsection (1) or (2) would result in a total award that, in the court's opinion, is grossly out of proportion to the infringement, the court may award, with respect to each work or other subject-matter, such lower amount than $500 or $200, as the case may be, as the court considers just.


HK

Monday, November 10, 2008

Apotex v. Sanofi - Canadian Supreme Court Decision

Last week on November 6, 2008, the Supreme Court of Canada delivered it judgment in an important patent case concerning "selection patents." The appeal was heard on April 16, 2008.

My colleague, Susan Beaubien, has a very useful analysis of the decision here.

HK

WIPO Copyright Activity

The week long SCCR meeting at WIPO has just concluded and William New reports on it in some detail here.

The proposed broadcasters' rights treaty is still on the table, as is the propsoed audiovisual performances treaty.

The good news is that there appears to be solid interest in exceptions and limitations, and a possible treaty concerning the rights and needs of blind persons.

The latter is a concrete project that could have a positive outcome in a finite time, and would be a good example of what WIPO can do well and why a revitalized WIPO is essential to a balanced international IP system.

HK

Sunday, November 09, 2008

Does Apple Compete with IBM?

Does Apple compete with IBM?

According to a former IBM employee recently hired by Apple:

"To the best of my knowledge, IBM does not design, manufacture or market consumer electronic products," says Papermaster, in a court document filed Thursday. "Instead, IBM focuses on high-performance business systems such as information technology infrastructure, servers and information storage products, and operating systems software," Papermaster notes.

"Apple, on the other hand, is in the business of designing, manufacturing and marketing consumer-oriented hardware and related products," says Papermaster, in documents filed in U.S. District Court in Manhattan.

A district court in the USA doesn't agree.
Doubtless, more to come.

HK

What Happened to SNL in Canada?

It now seems that you can't get there from here when it comes to getting from Canada to Saturday Night Live on the Web.

One gets an error message related to "location." Let's hope it's just a temporary technical glitch.

But somehow, I sense overly zealous copyright lawyering and geolocation software at work here.

Too bad, so sad.

HK

PS - Hat tip to Michael Geist - Canwest Global TV seems to have locked up the keys to SNL online for Canadians. But we can't get the same material as our American friends and you have to suffer through third party ads....See this.

Thank goodness this wasn't in place before the US election.

Yet another demonstration of how the Internet is going backwards to old business models, such as cable TV.

Friday, November 07, 2008

Constitutional Challenge to RIAA's statutory damage claims...

The well known Harvard professor Charlie Nesson is leading the charge on a challenge to the constitutionality of the statutory damage provisions in the US Copyright Act.

Here's his latest filing and a brief commentary.

HK

Wednesday, November 05, 2008

The Obama Effect on IP

IP-Watch has a good analysis of the likely direction of the Obama administration here. IP-Watch also speculates on some Obama appointments here.

Although a Democratic administration is likely to be very sympathetic to the wishes of IP owners and rightly so, there is reason to hope that the Obama administration will take a more nuanced approach than we've seen in the past as a result of such factors as:
  • Obama's commitment to affordable health care
  • Obama's commitment to improving child education in order to improve competitiveness
  • Obama's experience as an academic
  • the very Internet savvy campaign he ran
  • the need to balance traditional Democrat protectionist instincts with the pressing need to to restore America's lead in high tech R&D and even manufacturing
  • the need for the USA to regain respect internationally by informed policy leadership and not by brute force trade hegemony
  • the need to satisfy likely great expectations from Africa and developing countries in other regions
  • more intellectual rigor and honesty in separating bogus terrorism and exaggerated counterfeiting issues from real trade and IP issues.
It's worth noting that Bill Clinton's IP point man, Bruce Lehman, has stated that the DMCA "didn't work out very well" under the last Democratic administration. Hopefully, Bruce's soul searching and public confessions will impart valuable wisdom to the new Democratic White House, whether or not he has part to play in it.

As I say, and without being political, there is now indeed plenty of reason to hope.




HK

Friday, October 31, 2008

WIPO SCCR Meeting Geneva November 3-7, 2008

The WIPO Standing Committee on Copyright and Related Rights (SCCR) will be meeting next week in Geneva. It gets together typically about twice a year. The agenda and documents are available here.

The Chairman of this Committee for the past many years has been Jukka Liedes of Finland, who has invested much effort in trying for about a decade to get through a Broadcasters' Rights Treaty at WIPO - for which there is little consensus but which is still on the agenda.

He summarizes the latest state of play as this in his "informal paper", which is presumably somewhat more formal than his many previous "non-papers."


• The following two options arise from the assessment above in this informal paper:

A – A continuation of the process

- Another try could still be suggested on the basis of the document SCCR/15/2 rev.

- In addition, discussions could be based on informal papers.

- This endeavor should be open, inclusive and flexible.

- In the end, there could be an understanding that a new treaty might be established by a clear majority.

B – A possible new avenue

- A model based roughly on Articles 2 and 3 of the Geneva Phonograms Convention of 1971 could be envisaged; similar to that of the Brussels Satellite Convention.

- That model is different from those included so far in the working documents of the SCCR.

- That model could achieve the main objective of an international protection and the prevention of signal theft.

- To provide the delegations with an idea of the structure of such an option, its core provisions might be as follows:

“The Contracting Parties shall protect broadcasting and cablecasting organizations, who are nationals of other Contracting Parties, against unauthorized acts, including:

- retransmission

- fixation

- [other acts that might be agreed on].

The means by which this Treaty is implemented shall be a matter for the domestic law of each Contracting Party. The means shall be adequate and effective, and shall include one or more of the following:

- protection by means of copyright, rights related to copyright, or other specific rights;

- protection by means of the law relating to unfair competition or misappropriation;

- protection by means of administrative legislation or penal sanctions.”

• Finally, if after consideration of the options above (A/B) and possible other options, it will not in the present situation be possible to decide on the establishment of a new treaty, the SCCR should end these discussions through an express decision in order to avoid further spending of time, energy and resources to no avail. Such a decision could include a timetable for later revisiting and reconsidering the matter.


There are other perhaps more urgent and important issues on the table, such as limitations and exceptions. Moreover, various spokespersons for the blind are pushing hard to get WIPO to do something specific in their interest. See, for example, this initiative from Canada's own CNIB.

William New of IP-Watch provides more information here.

Under the new leadership of its new Director General, Francis Gurry, WIPO can potentially accomplish a great deal that could benefit many if not most sectors and countries that are concerned about IP. Let us hope that the SCCR can move beyond the largely unproductive past decade into areas where work should be done and positive progress seem more likely.

The Canadian position(s) going into this meeting are not known.

HK

Thursday, October 30, 2008

Tony Clement - New Minister of Industry

Congratulations to Tony Clement on his appointment as the new Minister of Industry.

Minister Clement previously was the Minister of Health. As such, he would have been very familiar with the perennially intractable debates over the Patented Medicines (Notice of Compliance) (“PMNOC”) Regulations, and the extent to which big money and big lobbying have attempted to drive national and international IP policy. He would also have been involved in debates on counterfeiting, and other matters. All of this experience makes hin a logical choice to be Minister of Industry.

There are aspects of the PMNOC wars and the copyright wars that have much in common. For those interested in the history and state of play of the PMNOC regs, this very recent important judgment in Apotex v. Merck from Mr. Justice Roger Hughes of the Federal Court explains it all in a very readable and balanced way, and indeed speaks at great length about the concept of “balance” in the context of the Patent Act and PMNOC regulations.

The Minister of Industry has enormous responsibilities for both the patent and copyright files, along with many other duties that are even more visible. We wish hm well in this very important portfolio at this very important time.

HK

Tuesday, October 28, 2008

A Victory for Freer Expression Online in Canada

Off topic but important news:

The courageous Jon Newton and his excellent libel lawyer, Dan Burnett, have won an important victory in BC against Wayne Crookes. The Court held that the mere provision of a link to a defamatory third party website without a positive editorial comment on that material:
  • does not lead to a presumption that persons read the contents of the website and used the hyperlink to access the defamatory words, and that
  • reference to an article containing defamatory content without repetition of the comment itself or endorsement of it should not be found to be a republication of such defamatory content
Here's the judgment.

Essentially, the Court held that a link is much the same as a footnote, except a lot more convenient.

Congratulations to Messrs. Newton and Burnett.

HK

Google Settlement

Big news from the USA - re the Google Books litigation.

There is a big settlement. Here are some links:

Some details about the agreement is now online here.

A summary of the agreement is available here.

The agreement can be found here.

Those who own or think they may own a U.S. copyright interest
implicated by the agreement may wish to look here.

As for Canada, Google advises:
International Impact

Copyright holders - located in the US and internationally - may have their books included in this agreement. As part of a worldwide notice program, the settlement administrator will be reaching out to authors and publishers around the world to tell them about their rights under the settlement, which include the right not to have the settlement apply to them and the ability to register with the Book Rights Registry to control and profit from online access to their books.

However, because this agreement is the result of a US lawsuit, it only affects the Book Search experience for users accessing the site in the US. Outside the United States, the users’ experience with Google Book Search will be unchanged, unless the offering of such products and services is authorized by the rightsholder of a book.
More to come when more is known...

HK

Monday, October 27, 2008

SOCAN's Tariff 22 - the latest chapter

The Copyright Board has finally released its decision this past Friday, October 24, 2008 on the remainder of SOCAN’s Internet based “Tariff 22". This covers the period of 1996-2006. Here’s the decision. This is actually the second part of the second phase of the Board's reasoning on Tariff 22. The first part of the the actual tariff came out just over a year ago on October 18, 2007 and I blogged about it then here. That decision is available here. The hearings that gave rise to these two decisions took place in April and May of 2007.

The Board rejected SOCAN’s approach that would have seen a tariff on “uses” and, instead, imposed a tariff on “users”. In principle, according to the Board, SOCAN’s approach would actually have been more user friendly.

The Board evidently spent a lot of time on number crunching and considering a mound of evidence and came up with results that may or may not please the affected users. It is too early to say. The Board is clearly cognizant of the need to comply with recent appellate jurisprudence requiring that it provide adequate reasons for its calculations. The Federal Court of Appeal will rarely, if ever, set aside the Board’s rate calculations, unless there is inadequate reasoning to support them.

The gist of the rates is as follows, according to the Board:

• For commercial and non-commercial radio stations that already pay royalties to SOCAN for their conventional activities, the same rates are certified for their Internet activities. These rates are, for commercial radio, 1.5% of Internet-related revenues for a low music use station and 4.2% for the others. Non-commercial radio pays a rate of 1.9% of its gross operating costs. The rate bases are further reduced by at least 50% to account for the fact that not all of a radio station’s web pages contain sounds.
• For commercial, pay and specialty television, pay audio services and satellite radio services, the rates established are also the same as what these users already pay or will be paying to SOCAN. These rates are 1.9% for television and 12.35% for pay audio services (the rate for satellite radio has yet to be set). The rate base is also further reduced in the same way as radio.
• The Canadian Broadcasting Corporation (CBC), TVOntario and Télé-Québec will pay a proportion of 10% of the amounts they already pay to SOCAN, with an additional reduction of at least 85%. For the year 2006, this corresponds to amounts of approximately $125,000 for CBC, $4,500 for TVOntario and $2,700 for Télé-Québec.
• Websites that play music, but do not have a conventional counterpart, such as the Iceberg radio site, will pay a rate that depends on the amount of music they use: 1.5% with music use of 20% or less, 4.2% if music use is more than 20% and less than 80%, and 5.3% if music use is 80% or more. Again, the rate base will be discounted by at least 50%.
• Finally, the starting rate for game sites that use music will be 0.8%.

The Tariff is retroactive for ten years back to 1996, which is, in effect, twelve years because the rates for 2007 and on are likely to go up (they rarely, if ever, go down). The Board notes that “Only SOCAN can decide not to collect royalties retroactively.”

There may be legal arguments that the Board lacks jurisdiction to impose such retroactivity. However, the Board clearly doesn’t see it that way.

Of course, the main news is actually what was NOT decided - which pertained to “other sites.” These could range from little personal blogs to such mega sites as YouTube, Facebook, and MySpace. Other potentially affected sites could include countless restaurants, car manufacturers, retailers, film producers, and others that may use music on their websites for the purpose of selling other goods and services. SOCAN’s wording for this category was extremely vague and few if any of the potentially affected parties objected or maintained their objection. This is not surprising, given the usually enormous costs of participation with objector or even intervener status in Board hearings.

The Board decided in the end NOT to certify a tariff on “other sites” at this time. This part of the tariff has been rejected in a 2 to 1 split decision.

The majority said that it would not certify a tariff for these “other sites’ because:

• It would be unfair to reach back ten years to target hundreds of thousands of users for uses that are “extremely modest or that attract little or no attention.”
• In the absence of any reliable evidence for such disparate uses, any tariff would have to be “de minimis”;
• Social networking and similar sites are quite new and any music use would likely be quite modest; and,
• In the absence of sufficient evidence, the Board could not provide reasons that would satisfy the Federal Court of Appeal.

However, note that the majority said that the “parties will be expected to provide the necessary evidence to allow the Board to assess the situation.”

A dissenting member disagreed with the majority’s analysis of the “other sites”. Her reasons, at page 47, suggest that she would have been inclined to set a tariff for at least the “uses” that would generate significant royalties. She gives MySpace, Facebook, Google and Yahoo as examples. But she also concedes that SOCAN offered “no evidence” that would allow for a tariff to be set for “MySpace”, for example. She is also expecting users to be present at the next hearing. She says at para. 47 “I would expect users or their representatives to participate in the next proceedings to provide the Board with the information it requires in order to property assess the situation.”

The issue of “other sites” has clearly NOT gone away. Since a number of important parties have not filed objections for 2007 and 2008 or even 2009, the Board will likely permit full fledged interventions from any latecomers and hear all of these years together. The Board has virtually invited this to happen. There are a number of very good arguments that can be made against the incredibly vague wording that SOCAN has used over the years, and the absurd results to which it could lead.

For example, imagine the potential liability of YouTube or Amazon or a traditional large retailer selling widgets online based upon “ the greater of 10% of the Gross Revenues earned by the Site or Service or 10% of the Gross Operating Expenses of the Site or Service.” I should disclose that I filed written submissions on issues regarding these “other sites” pursuant to the Board’s Directive on Procedure on behalf of Retail Council of Canada.

There is a real possibility of more judicial review of Friday’s ruling. Thus, a thirteen year old tariff may still be far from a done deal.

Once again, the question arises as to why these things take so long, cost so much and still leave many affected parties out of the matrix. Indeed, the Board found that “It is through no fault of SOCAN (or the users) that the matter took as long as it did to reach a conclusion.”

This is not about “fault” or blame. It’s just that there’s got to be a faster way of dealing with these things, and Chairman Vancise is clearly seized of this problem. As he has stated,
If the Supreme Court of Canada can render a decision within six months of a hearing, there is no reason why this Board cannot do the same. My goal is to see that this occurs.
In fact, despite some exceptions, most litigation - even very complex cases - in Canada can go from start of the proceeding at the trial level to final judgment in the Supreme Court of Canada (if it gets that far) in about five years or even less. Given the rarity of Supreme Court involvement, most litigation is actually concluded much faster.

HK

Wednesday, October 22, 2008

$54 million pants suit appeal

Ex-Judge Roy Pearson of Washington, DC apparently had his appeal heard today in his $54 million dollar great American pants suit.

One must admit that his quest for excessive damages almost makes the RIAA look reasonable.

He does seem to be rather unsuited for the bench. Moreover, as one reader of the WSJ blog noted:
Maybe Pearson will finally get his comeuppants.
HK

Friday, October 17, 2008

On Poetic Justice and Subsidies

Countless reputable pundits and reports have pointed out that the Conservative Government may have missed its opportunity to get a majority in the October 14, 2008 election because it insisted on cutting $45 million from subsidies to the arts. Whether or not that was actually what was done or intended doesn’t matter for present purposes - perception was reality, at least in Quebec.

What about subsidies to the arts? There are many justifications for them. Historically, the main ones include:
1. The arts - at least those worthy of the name - require subsidies because they are inherently elitist and expensive. Once upon a time, at least in Western Europe, the subsidies came from the Church. Then Kings and Queens and lesser royalty. Then robber barons. And now governments.
2. Why now from governments? That’s because we now have something called democracy. Overall, taxpayers have voted to have museums, galleries, operas and the other finer things subsidized.
3. Arts subsidies generate great economic returns in terms of increased economic activity in the form of multiplier effects - ranging from tourism and restaurants to lucrative employment for carpenters and electricians. People flock to New York because of the arts, not because of sandy beaches.
4. Without the elite arts, we don’t have much to be proud of or that distinguishes Canada from the rest of the world, and particularly the USA. The USA actually provides huge subsidies to the arts through its great philanthropy system, paid for indirectly by middle class taxpayers through lower taxes on rich people and the encouragement of large gifts to such organization as the Metropolitan Opera.

How does this relate to Canadian copyright law and - of all things - the current campaign of the League of Canadian Poets against Access Copyright?

The poets need to be careful what they wish for. Access Copyright’s current distribution mechanism, while deeply flawed, essentially guarantees about $500 a year to every published poet - no matter how obscure and unread (and uncopied) that person may be. A more accurate and equitable system - assuming such a thing were even possible - likely would result in much less annual income from reprography for most poets. Unless I am missing something, it would seem doubtful that the principle licensees of Access Coypright, namely schools, universities, and governments do lot of photocopying of Canadian poetry. And what is done is very likely to be fair dealing, post CCH.

This is a perfect example of where subsidies would work better than a large, rich and litigious collective with enormous overhead and legal costs that can’t measure actual entitlement. In fact, it would be much more efficient from an economic standpoint to subsidize Canadian publishers, writers and poets through an expanded and adequately funded Canada Council than through Access Copyright. The Canada Council has a long history of working well through a combination of bureaucratic support and analysis and peer review by juries.

There would be no need to subsidize foreign publishers, writers or poets, because NAFTA has an exception with respect to national treatment for cultural programs and the Canada Council has been around for decades.

In return for more generous and efficient subsidies, the Copyright Act should be amended to lighten up on statutory damages and confirm the legality of copying for research, private study and multiple copies for teaching and classroom purposes, provided that such copying does not go beyond being “fair”. The Supreme Court of Canada has put most, if not all of this, in place already with the landmark CCH v. LSUC decision. The remainder can be found in §107 of the US Coypright Act, so the US can hardly complain about such a provision.

These are ideas worth considering - now - and before another revision bill is introduced.

HK

Thursday, October 16, 2008

Audting Access Copyright?

As I mentioned yesterday, the League of Canadian Poets is on the case about Access Copyright, a collective that has over $37 million in most recently reported revenues, almost all of which comes from taxpayers. The distribution mechanism to actual creators has been severely criticized. The League of Canadian Poets is apparently asking for Canadian Heritage to audit Access Copyright.

It might be noted that Access Copyright had reported expenses of over $7 million in its most recent reported year and reports expenditures in 2006 and 2007 of almost $2.5 million for “Copyright Board filings.”

Offhand, I don’t see where Canadian Heritage would have any legal authority to “audit” Access Copyright. That said, the Federal Government has been an early and enthusiastic licensee of Access Copyright, and its early willingness to pay very substantial licensing fees helped get Access Copyright - then known as CanCopy - up and running. The Federal Government currently should arguably be paying much less to Access Copyright than in the past because the Supreme Court of Canada has ruled that “research” can be fair dealing and it would seem obvious that much if not most of the reprography that goes on inside Government would be for research purposes. It is not known whether the Feds have played hardball on this issue, or whether they continue to give millions to Access Copyright with little questioning as to why. Unfortunately, Access Copyright has abandoned its practice of more granular reporting of its licensing income that would provide more information as to the type of license and licensee, i.e. how much derives from schools, post secondary, public sector and corporate.

The point is that there is no reason why the major licensees of Access Copyright, such as the Federal Government, the universities, and the K-12 schools could not demand more transparency, along the lines set forth by Prof. Martin Friedland. There is no reason why these groups couldn’t insist upon an annual published audit that deals with specified parameters. I don’t mean the pro-forma type of statements that simply vouch for the annual published financial statements, which disclose very little.

Moreover, I have argued that the Copyright Board arguably could - if it chose to do so - exercise far greater oversight in situations such as this. This is what I have said in a recent paper, just published in the Intellectual Property Journal and available in essentially the same version here:

Oversight of Collectives

It is arguable the Board has sufficient powers under current legislation and in view of the cases mentioned above and many more to exercise more power of oversight over the internal workings of collectives. This could include:

• distribution mechanisms

• review of administration costs


• transparency and reporting of key financial information, including management, legal and

other professional expenses.

There is little point in imposing tariffs that are high by any standard, and in some cases relatively higher than in countries such as the USA, when the funds are often distributed years late and in a mystical manner and method, if indeed there is any adequate method. Such a tariff may not have the appearance of being “fair and equitable.”

It is an insufficient answer to rely on member democracy and accountability, since there is very little of this in the corporate governance of many of Canada’s collectives. Even the provision of a requirement of minimum transparency would serve to enable at least the chance for assertion of members’ rights and better governance.

The Board arguably could and should scrutinize the expenditures and efficiency of collectives.
Collectives exist not to reward their staff, consultants and lawyers but to collect and to distribute the royalties earned and deserved by their members. If Parliament is going to empower these collectives with monopoly rights, there needs to be sufficient accountability. This is an area where the Board could potentially regulate to some degree. If the Board believes it lacks jurisdiction to do so, then the Governor in Council or Parliament should do what is required.

To the Board’s credit, it has on occasion told collectives to take better care of certain classes of members. For example, in 1994 it told SOCAN that the proposed concert tariff was too low to be in the interests of its members:
The Board hopes, however, that SOCAN will give due consideration to filing its
proposed concert tariff for 1995 at a rate higher than that in the SOCAN/CAMP
agreement. The Board is of the view that unless this course is followed, the
interests of SOCAN's members will not be properly served.
Recently, the Board looked out for the interests of the independent members of the Canadian
Recording Industry Association (“CRIA”) and was decisively upheld by the FCA in brief reasons delivered from the bench.

Other thoughts will follow on this and related subjects. There is little point in Canada having the most copyright collectives of any country and the largest and best resourced copyright tribunal if the system does not do a commensurately good job for creators, users, and, to the extent necessary, others with legitimate economic interests based upon copyright. There are some changes and improvements that need to be made.


HK

Wednesday, October 15, 2008

Improper DMCA Takedowns and US Presidential Campaigns

EFF - bless them - is onto the use of improper DMCA takedown notices that stifle free speech in the course of the current US Presidential election campaign. Apparently, major networks are objecting to the use of very short clips incorporated into political speech and appearing on YouTube.

Here's
the EFF take.

One of the few silver linings on Bill C-61 was that it included a "Notice and Notice" regime and not a "Notice and Takedown" mechanism, as in the US legislation. So, this kind of stuff would presumably not happen so easily in Canada.

HK