tag:blogger.com,1999:blog-20803105.post1166754456372649403..comments2024-03-23T13:09:54.464-04:00Comments on EXCESS COPYRIGHT: How to Minimize Music and Maximize Profits – Do Moral Rights Matter?Howard Knopfhttp://www.blogger.com/profile/18321190334597129416noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-20803105.post-8306693345444109682014-08-11T11:55:33.837-04:002014-08-11T11:55:33.837-04:00You'd think this might inspire SOCAN and Re:So...You'd think this might inspire SOCAN and Re:Sound to at least argue that 90.3 AMP should pay higher tariff rates because they are making increased use of those collectives' repertoire songs? As to those groups' silence regarding the creative infringement that AMP's actions represent; curious but not entirely surprising. Hopefully someone will speak up at some point.<br /><br />I agree on a copyright exception for Anna Russell's work. Similarly, to my knowledge Victor Borge never received any complaints about his comic treatment of classic tunes. Maybe talent makes some difference in these things...dolemitehttps://www.blogger.com/profile/14456633597725166739noreply@blogger.com